Word: hollywooders
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Director Baz Luhrmann’s new film “Australia” features all the elements of a classic Hollywood adventure and romance. It has the sweeping landscapes of “Lawrence of Arabia,” the dramatic cultural overtures of “Gone With the Wind,” the beautiful bantering leads of “The African Queen,” and the vaguely amusing stock background characters of “Casablanca.” Although “Australia” eventually succeeds in constructing itself as an epic film...
...play a misanthrope with a gun, wiping out two teams of bad guys, in Fistful of Dollars. By the time he'd done two more Leone westerns, For a Few Dollars More and The Good, the Bad and the Ugly, Eastwood was a star in the classic Hollywood sense--which is to say he had found a persona that he could comfortably inhabit and that would attract customers in the U.S. and abroad, where they call him "Cleent...
...likes Take 1, he prints it and goes to the next scene). Hey, it's only a movie. And often--say, Breezy, Pale Rider, Unforgiven, Million Dollar Baby, Flags of Our Fathers, to skim five off the top--they are movies that have the craft and heart of classic Hollywood, without that musty antique odor...
Carrie Fisher is an anomaly in Hollywood: a demonstrably clever celebrity. (I say demonstrably because plenty of celebrities are extremely clever; they just tend to keep it to themselves.) Fisher is the author of four novels, several screenplays and two autobiographical one-woman shows. Now she's written a memoir, or rather adapted it from her show of the same name, Wishful Drinking (Simon & Schuster; 163 pages...
Fisher is, as she puts it, a "product of Hollywood inbreeding": her mother is Debbie Reynolds, and her father is the singer Eddie Fisher. After her father left Reynolds for Elizabeth Taylor, Fisher grew up emotionally dependent on her mother, which presented difficulties because her mother was emotionally dependent on being famous. "I really didn't like sharing her," Fisher writes. "It seemed almost unsanitary."(See the 100 best novels of all time...