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...Hollywood party on Aug. 16, 1977, word reached the celebrity revelers that the 42-year-old Elvis Presley had just died at his Graceland home in Memphis. Amid the murmurs of shock, one industry type noted, "Good career move...

Author: /time Magazine | Title: Elvis: The Last Romantic | 8/15/2007 | See Source »

...trust me, when The Wheel of Fortune is done spinning, she's the one who will matter a great deal more. And it's precisely at this moment, when so much of the fantasy offered to us by mass culture is calculated industrial product, in formulations arrived at by Hollywood or by whichever multinational is fine-tuning the next big video game, that her work feels especially important. She stood for the adventure of the individual mind, and for its power to reach out, all by itself, to yours...

Author: /time Magazine | Title: Elizabeth Murray: Bringing Painting Back to Life | 8/14/2007 | See Source »

...Chan, the sweet-souled masochist of Hong Kong action comedies, made four Hollywood-based movies after Rush Hour 2, plus three starring roles in Hong Kong films, but they didn't do much business, and one, Around the World in 80 Days, cost $110 million to produce and took in far less than half that. After 53 years on this planet, 30 as the hardest working star on any continent, with virtually every bone in his body broken while performing his daredevil stunts, Chan may have worn out not his welcome so much as himself...

Author: /time Magazine | Title: Jackie Chan Back in Action in Rush Hour 3 | 8/9/2007 | See Source »

...should that matter? It's all legal currency, no? Well, no. Not to Hollywood. Studios make most of their box-office money in the first 10 days of a movie's release, when they take in 90% of the movie's profits and the cinema owners, or exhibitors, get the rest. After two weeks, they generally split the proceeds 70/30 and then down from there. Spider-Man 3, the most successful movie in America so far this year, made 45% of its profits to date on the first weekend. Titanic, by contrast, made 5%. The studios don't just want...

Author: /time Magazine | Title: Movies: Who Killed the Love Story? | 8/9/2007 | See Source »

...with its one climactic sequence of nearly unrivaled technical virtuosity. He didn't fall out of critical or popular favor so much as he gracefully receded from view, like Thomas at the end of Blowup. By the late '70s the movie environment had changed, and not for the better. Hollywood was reluctant to finance the chancy projects of a double-domed European of Social Security age, when kids in L.A. could bring in hundreds of millions with their clever toy movies...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

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