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...Take Slasher, for example, Allison Moore's comedy about an Austin, Texas, waitress who gets picked to play the last girl killed in a low-budget slasher film. Moore shows a real feel for the milieu: the Austin independent filmmaking scene, where cowboy film geeks meet up with cheeseball Hollywood wannabes. The encounter in which the film's hack director (a brilliantly smarmy Mark Setlock) discovers his star, Sheena, in a Hooters-style hangout, enlists her for his film and promptly gets rolled by her in contract negotiations, is as sharp and modulated a satire of Hollywood hucksterism as anything...

Author: /time Magazine | Title: Louisville: Where New Plays Go to Be Born | 4/10/2009 | See Source »

...superficial at best.Documentary filmmaking provides the opportunity to truly deliver someone else’s reality, even if that person is as seemingly insane as Mike Tyson. James Toback ’66 is particularly attuned to this power. After Harvard, he went on to become a highly controversial Hollywood screenwriter and director, meeting Mike Tyson on the set of his 1985 film “The Pick Up Artist.” There they began the friendship that would finally yield Toback’s most recent film, “Tyson,” a documentary that peels...

Author: By Mia P. Walker, CRIMSON STAFF WRITER | Title: Harvard Alum Packs a Punch with 'Tyson' | 4/10/2009 | See Source »

Miley Cyrus prepared for April 3, an average workday, by reading the Bible - a few chapters of Job - and ended it by telling a ribald joke as she walked off camera at Access Hollywood. In between she had a casting session for her next movie, The Last Song, written specially for her by weepie king Nicholas Sparks; was interviewed four times; performed twice; changed outfits twice; and visited the Tonight Show's make-your-own-sundae bar once. When she left the NBC lot at 6:30 p.m., she still had to do her homework...

Author: /time Magazine | Title: Miley Cyrus Meets Hannah Montana, At the Multiplex | 4/9/2009 | See Source »

...state-red-state cultural differences being played off each other, they are set in counterbalance. In Miley-the-creation and Miley-the-girl, we have someone who's cool but wholesome, sophisticated but innocent, glamorous but sweet. Her appeal crosses cultural lines and, accordingly, elicits different reactions. On Access Hollywood, a bespectacled boy gives her flowers, while a 20-something asks where she wants her first tattoo...

Author: /time Magazine | Title: Miley Cyrus Meets Hannah Montana, At the Multiplex | 4/9/2009 | See Source »

Some lives are like Hollywood soundstages, all faade, and suicide is the instrument by which their hollowness is revealed. Increasingly, though, this tragedy works in reverse. Hollow men (it's almost always men) add mass murder to their suicidal outbursts, hoping to mask their nothingness with a front of brutal significance...

Author: /time Magazine | Title: The Moment | 4/9/2009 | See Source »

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