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...That's a 180 from the prevailing notion in classic Hollywood, where optimism was the cardinal belief, at least on-screen. (It was in the front office that the knives came out.) Most movies, whatever their genre, were romances; they aimed for tears and ended with a kiss. But to serious critics then, and to the mass audience now, sentiment is suspect. Feeling is mushy, girly - for fools. To be soft-hearted is to be soft-headed. So critics will see a horror film with extreme violence, or (less frequently) an erotic film with extreme sex, and accept these...

Author: /time Magazine | Title: I Admit It: I Liked The Fountain | 11/22/2006 | See Source »

...Those Old Hollywood romantic tropes still call to me. I was stirred by Jackman?s delicate power as a man both grieving and driven, spanning millennia, from the Iberian past to the astral future, to prove that love is stronger than death. I was impressed by Weisz? commitment to the role of Izzy, though it requires her mainly to shiver and sweat. And I was touched that Aronofsky, who could have kept making spiky little art films (and that would have been fine), took a chance on himself and the movie audience with a love story that is likely...

Author: /time Magazine | Title: I Admit It: I Liked The Fountain | 11/22/2006 | See Source »

...Hollywood was hardly more eager to recognize Altman's talents. A quarter century passed between his first trip west and his breakout film, MASH in 1970, when he turned 45. In between, he directed hundreds of TV dramas and a few promising, thoughtful feature films. His first, the science-fiction drama Countdown, got him fired off the film and banned from the Warner Bros. lot. Studio boss Jack Warner, Altman recalled, "had looked at the dailies and he said, 'That fool has everybody talking at the same time...

Author: /time Magazine | Title: Remembering Robert Altman | 11/21/2006 | See Source »

...told, he directed 14 films in the 70s; no American worked at that pace, or at his level. The decade ended with Altman's second largest box-office grosser, Popeye, after which Hollywood and its most persistent renegade tired of each other's company for a time. Other directors might go into retirement or hiding. Altman moved to the side streets, to the movie equivalent of off-Broadway, to fashion his next career: as the formidable director of stage plays on film and videotape (10 of them, from 1982 to 1988). In 1992 he stormed back from exile with...

Author: /time Magazine | Title: Remembering Robert Altman | 11/21/2006 | See Source »

Garcetti, who represents Los Angeles’ 13th district, consisting of Hollywood and several other communities, was honored with the Dan Fenn Award for his work on environmental issues and affordable housing...

Author: By Andrew Okuyiga, CONTRIBUTING WRITER | Title: Kennedys Honor Activists | 11/21/2006 | See Source »

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