Word: hollywoodization
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...Starting Jan. 2, he hopes to hold a referendum over several weeks allowing SAG members to vote for or against walking out; 75% must vote "yay" for a strike to go forward. Considering the writers strike brought the industry to a standstill, one can only imagine how much damage Hollywood would suffer if actors do the same...
...Screen Actors Guild (SAG) prepares to announce the nominees for its annual awards ceremony on Dec. 18, it is not in such a celebratory mood. Hollywood's largest actors' union is currently grappling with whether or not to go on strike against studios over revenue from online films and television shows - the same issue that compelled writers to strike for 100 days earlier this year. On Dec. 15, a New York City SAG town-hall meeting devolved into a heated back and forth between union President Alan Rosenberg - who is planning to spend $100,000 of the group's money...
Established in 1933, SAG arrived at a time when actors were to Hollywood studios what cattle are to ranchers: they were bound to multi-year, exclusive contracts, unable to choose their own films, their own career paths or, in some cases, their own relationships. Actors were essentially the studios' property, and anyone who dared protest - Bette Davis and Olivia de Havilland, for example - was suspended, effectively blacklisted for a time. The first SAG-studio contract was signed in 1937, but it was only following the Supreme Court's 1948 anti-trust decision against Paramount Studios, which broke the studio monopoly...
...Though the movie is no more than agreeable, it does provide a swell showcase for New Zealand wundercomic Rhys Darby (Murray, the hapless agent on HBO's Flight of the Conchords) and gives the astrally adorable Zooey Deschanel a rare shot at a lead role in a big Hollywood movie. Casting directors, please take note...
...guess: maybe, because Hollywood loves a comeback story, and because Rourke gives the kind of performance that members of the Motion Picture Academy think burrows into the very essence of acting. He made himself nearly unrecognizable - put on maybe 40 lb., studded his face and body with the scars of war - to play a has-been fighter hoping for a last shot at the big time. It's the kind of punishment that won kudos for Lon Chaney and Paul Muni in the old days and helped Robert De Niro to an Oscar in Raging Bull playing Jake LaMotta...