Word: hollywoodizations
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Dates: during 1990-1999
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When Gianni Versace walked down the street in Miami Beach, he had every reason to think he had created the world. If fashion has joined Hollywood and sports among the great public spectacles of our time, Versace was one big reason why. And if Miami Beach is now a laboratory of instant gratification, full of clubs and in-line skaters and muscle guys with deltoids like the gas tanks on a Harley--in some measure that was Versace's doing too. Six years ago, when the city was threadbare, he fell in love with it, and soon began converting...
PPWT--perky people with teeth. Signifies 6 a.m. early-morning news shows. See also: Entertainment Tonight and Access Hollywood...
...Marlowe and directed by Wolfgang Petersen, who knows his way around both tight spaces (Das Boot) and the more suspenseful aspects of presidential life (In the Line of Fire)--had retained its claustrophobic intimacy to the end. This, however, would have required its makers to forswear a new Hollywood habit of mind, which dictates that no big-time action film can conclude without an orgy of special effects. As Air Force One climaxes, a lot of people fly through thin air on thin wires. Too bad. The stalking struggle between reason and unreason that precedes it is much more gripping...
...turns cerebral Ellie into numinous jelly, but it is an alarming comedown from the director who played so entrancingly with time travel in the Back to the Future movies and gave us the delightful alternative reality of Who Framed Roger Rabbit. The success of Forrest Gump has made him Hollywood's philosopher-king, free to spend a fortune doing for the simple pieties what he recently did for simple-mindedness: make them look like a nice easy road to spiritual fulfillment. Zemeckis and his colleagues have been all over the press congratulating themselves on throwing an intellectually challenging movie into...
...fact, Hollywood has been Bacharach's biggest promoter. The songwriter serves as a veritable totem of retro-cool in Mike Meyer's Austin Powers, in which Bacharach does a cameo singing behind a candelabraed piano that sits atop a Las Vegas tourist bus. His music is featured even more prominently--even if he isn't--in the Julia Roberts romantic comedy My Best Friend's Wedding, providing for a younger generation the same kind of romantic charge, simultaneously nostalgic and bracingly fresh, that George Gershwin gave when he was rediscovered by the disco generation two decades ago in Woody Allen...