Word: hollywoodized
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Dates: during 1930-1939
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...addition to its own intense egocentricity, Hollywood's concern with show business is obviously prompted by the necessity for showing off personalities who have made a hit on other stages. Letter of Introduction thus serves as a vehicle for Edgar Bergen and Charlie McCarthy, who function simply as themselves. Ventriloquist Bergen introduces a rival to Charlie in the person of a dummy named Mortimer. Minute effigy of a country bumpkin, as hideous, crude and amiable as Charlie is tart, slick and natty, Mortimer chatters for only one sequence, after Charlie has taxed Edgar Bergen with ingratitude, but this...
Since 1926, Capra's career has been eventful but straightforward. His one flop was For the Love of Mike, with Claudette Colbert, in 1927. The picture that made him tops in Hollywood was It Happened One Night with Claudette Colbert and Clark Gable in 1934. He had been discovered by Harry Cohn long before that, repaid his benefactor with hits like That Certain Thing (1928), Dirigible (1931), Platinum Blonde (1931), The Bitter Tea of General Yen (1933), Lady for a Day (1933). From 1930 to 1932, Capra worked only on pictures written by Jo Swerling. Then Capra...
...other people. Old line directors, before talkies cramped their style, liked to stamp and bellow at their actors, strut and show off on the set. Like most of his contemporaries, Capra works without mannerisms, confers quietly with his actors and technical crew before each take. In Hollywood, long since ashamed of egoparading outside of working hours, it is now fashionable to have a private telephone number, small car, cottage on the beach and one wife at a time. Frank and Lucille Capra, as befits two of the community's most dazzling celebrities, spend most of the year...
Letter of Introduction (Universal). Presumably on the theory that the proper study of mankind is man, Hollywood long ago assumed that the proper study of the cinema is the entertainment business. Cycles in Hollywood flare and fade, but the history of the young girl who goes to Manhattan to become an actress, falls in love with a hoofer and brings down the house on opening night remains as rooted as Narcissus. To the standard ingredients of the backstage formula, Letter of Introduction adds two interesting variants: the show in which Katherine Mannering (Andrea Leeds) makes her gala debut turns...
...laugh. But a year later, Baritone Tibbett's dress-collar union acquired an A. F. of L. charter and set about organizing opera from top to bottom, from $1s-a-week spear-carriers to prima donnas. Soon A. G. M. A. had negotiated agreements with Los Angeles' Hollywood Bowl, the itinerant San Carlo Opera, the New York Hippodrome Opera, and most of the smaller U. S. opera companies. Last week, A. G. M. A. bagged a real prize: an agreement recognizing the union as sole bargaining agent for the artists at Manhattan's Metropolitan Opera House. This...