Word: hollywoodized
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Dates: during 1930-1939
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Kentucky Moonshine (Twentieth Century-Fox) presents the Ritz Brothers bodaciously aping the feuding, corn-swilling hillbilly-o of the cartoon-strip clan. For the most part a lather of Ritz-Brother grimacing and guggling, this Hollywood picture of hillbilly doings is typically untypical...
...have been playing Stagehand, were getting their money down fast on last fortnight's Wood Memorial winner, Fighting Fox, full brother of Gallant Fox. 1930 Derby winner. Kentucky hard boots liked Bull Lea, who had broken two track records in his two races at local Keeneland this spring. Hollywood visitors (like Joan Bennett, Jack Pearl, Joe E. Brown) made sentimental bets on Myron Selznick's Can't Wait. Long-shot players took a chance on Elooto, named after Owner William O'Toole, and hoped he would not run in reverse like his name. Only a sprinkling...
Second U. S. name was that of Hollywood's Jon Cowley, who composes when he is not doing the whistling for Walt Disney's cinema cartoons. What struck listeners most about Composer Cowley's tricky "Crazy House" Suite was its orchestration, and that was not by Composer Cowley...
...Hollywood woke up one morning last week to find its self-satisfied air full of dead cats. The slingers: Manhattan's Independent Theatre Owners Association. Inc. Their targets: Greta Garbo. Marlene Dietrich. Mae West. Joan Crawford, Kay Francis. Katharine Hepburn. Edward Arnold. Fred Astaire. The reason: These highly-publicized great ones were "poison at the box office." "WAKE UP." screamed the theatre owners to Hollywood's producers. "Practically all of the major studios are burdened with stars-whose public appeal is negligible-receiving tremendous salaries . . . Garbo, for instance . . . does not help theatre owners...
With his first novel, Slim (TIME, Aug. 20, 1934), a story of the linemen who string high-voltage transmission lines, Author Haines, himself a lineman, made a clean jump from transmission poles to best-seller ranks and Hollywood. Though Slim seemed a little too slick for its subject, it nevertheless subordinated romance to accurate descriptions of a dramatic trade and the lusty linemen who follow it. High Tension, first published in the Saturday Evening Post, is wired for more popular tastes, reverses the proportions of romance and realism...