Word: hollywoodized
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Dates: during 1930-1939
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...warm California afternoon, summer before last, every major Hollywood cinema producer put on his best double-dealing poker face and disclaimed to his colleagues any interest in Authoress Margaret Mitchell's magnum opus, Gone With the Wind. All knew only too well that any open move to bid for it would send the price kiting. Hence young Producer David O. Selznick was highly pleased with himself when three days later he was able to announce that for mere peanuts ($50,000) he had bought the film rights to the book that was becoming the best-selling best seller...
...Warner publicity department, the fleeting points of similarity between Jezebel and Gone With the Wind were words to the wise. Before long Hollywood was buzzing with gossip that Warners were out to steal the wind from Producer Selznick's sails. Soon gossips had another theme...
...audience sat David Selznick when Jezebel had its Hollywood premiere early this month. As Actress Davis venomously kicked aside convention, twisted the code of Southern chivalry, bit her lips to make them kissable, patted her cheeks with a hairbrush to make them scarlet, the audience glanced toward Producer Selznick to see how he liked these things that smacked of Gone With the Wind. If he let fall any comments, they fell in private...
...Hollywood called Jezebel "terrific," predicted it would slow Mr. Selznick's Wind down to a breeze. Some wag suggested that the only one who might play Scarlett O'Hara after Bette Davis' performance was Mr. Paul Muni. Fact was that Bette Davis had gone full sail before the wind...
...picture possesses a dignity and artistic sincerity not often met with. Mr. O'Sullivan as the young patriot and Miss O'Connor as his fiancee are outstanding. The quality of the photography and sound lag a little behind that of the acting, but these can be learned from Hollywood, while fine acting cannot...