Word: hollywoodized
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Dates: during 1930-1939
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...Prince and the Pauper is not and does not aim to be screen drama of cosmic import, superspectacle or Hollywood picture-poem. It does aim to be, and is, a frisky, fresh and wholly likable comedy by the best comic writer, for the screen or otherwise, whom the U. S. has yet produced. Directed by William Keighley, acted by Warner Brothers' most high-powered cast since Midsummer Night's Dream, staged by Robert Lord and scored by Erich Korngold, it should amply grace next fortnight's Coronation. It should also grace, if not climax, the careers...
...guttersnipe scenes, regardless of which character appeared in them. This plan came to nothing because it suited the Mauch twins' sense of humor to switch from time to time. This was by no means the first trick of the kind they had played. The Mauch brothers got their Hollywood jobs not because they looked alike but because they both look like Fredric March. Producer Wallis, who had been scouring the U. S. for a ten-year-old to play young Anthony in March's Anthony Adverse, found the Mauchs, signed Billy for the part. In Anthony Adverse Bobby...
...college. Since even if Warners does not give them new contracts, options on their old one will give them each $900 a week by 1938, they should be able to afford it. Last fortnight the Mauchs were in New York for a holiday. This week they were back in Hollywood, ready to start work on the next Mauch picture-probably an adaptation of Hugh Walpole's book, A Prayer...
...Star Is Born (United Artists) starts by making the point that one girl in a hundred thousand who go to Hollywood to be stars becomes one. It then examines the career of the exception-Esther Victoria Blodgett (Janet Gaynor) who, the day she arrives on the Coast, financed by her grandmother's nest egg, tiptoes into the outer lobby of Grauman's Chinese Theatre and stands tremulously in the cement footprints of her favorite actor, Norman Maine. From this point on, the story of A Star Is Born does not differ in superficial outline from the story that...
Finely photographed with plenty of local color and not too many of those beautiful Hollywood backdrops, one exciting moment follows another, the whole building up to an outdoor trial scene that is as nice a job of holding up the mirror as the screen has presented in some time...