Word: hollywoodized
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Dates: during 1930-1939
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...result is skimpy where Hollywood has done little prospecting (Colonial days), rich where Hollywood has found the pickings good (Reconstruction, World War, etc.), authentic chiefly when the newsreel camera has the screen. More reliable as a history of Hollywood enterprise than as history straight, Land of Liberty recalls the cinema great from Griffith (America) to Disney (Building a Building), not forgetting Mae West (Belle of the Nineties) or the MARCH OF TIME. It opens with Roosevelt II rededicating the Statue of Liberty, scurries back 400 years to show why the early colonists left Europe, hits the high spots from then...
...Federal Building; at San Francisco's, in the California Building. No competition for such Fair attractions as Treasure Island's Dnude Ranch or Flushing's Sun Worshippers, Land of Liberty is worth sitting through, if only for the kick of watching Liberty marching to Hollywood's double-quick tune...
...good screen story, a capable unstarred cast and direction that supplies suspense of Alfred Hitchcock calibre lift Five Came Back out of the Swiss Family Hollywood class and up to the distinction of a sort of Stagecoach on wings. Director of Five Came Back was 35-year-old John Villiers Farrow, an Australian-born seaman-author-director and soldier of fortune who jumped a ship in Honolulu, worked his way to Hollywood in 1927, has been a cinemauthor and director there, as well as in France and Austria. As a low-budget director at Warner Bros, he fired no worlds...
Clouds over Europe (Columbia) is no international storm warning, but the most enjoyable leg-pulling in a coon's age on such favorite cinema standbys as spies, secret war gadgets and Scotland Yard. Made in England with Hollywood money to satisfy the Buy-British quota laws, Clouds over Europe 1) elbow-digs at British stuffocracy sufficiently to get a nod from most Anglophobes; 2) contains the sort of British acting calculated to warm an Anglophile's heart; and 3) has enough thrill, pace and lovestuff to stay on the top side of any U. S. double bill...
...romantics, Laurence Olivier (who resembles Ronald Colman and snarls like Clark Gable) and Valerie Hobson (who looks and loves like Loretta Young) pout and make up in proper Hollywood style. But the show-stealing star of Clouds over Europe is bland, slightly-potty, all-round Actor Ralph Richardson (Things to Come, The Divorce of Lady X, The Citadel...