Word: hollywoodized
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Dates: during 1940-1949
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...spent a year at the tool plant, learning the business thoroughly. Then he turned it over to his executives (he could always quiz and harry them by telephone) and went to Hollywood. Since boyhood, fascinated by the movies, he had jotted down ideas for scripts in a notebook. He had even met and cultivated a movie actor named Ralph Graves. In Hollywood, his uncle, Rupert Hughes-a prosperous fictioneer and biographer-had been writing and directing pictures. Howard hung around the sets, asked questions...
...Hollywood laughed when it heard that this young upstart wanted to make pictures himself. His actor friend, Graves, had a terrific idea for a script-about a Bowery bruiser who adopts a baby. Hughes was impressed, laid out $50,000. This picture, Swell Hogan, was such an arrant turkey that it was never released. The wiseacres laughed louder...
After Angels, Hughes made five more pictures, including his two best: Scarface, with Paul Muni, and The Front Page, with Adolphe Menjou and a newcomer named Pat O'Brien. Then he turned to aviation. So far as Hollywood was concerned, he had come, seen, conquered. On one of his very rare visits back to Houston, he said to friends: "Movies are a cinch. The more you spend, the more you make...
Early in his Hollywood career, the town gossips began dividing Hughes's women friends into two classes: 1) the established celebrities-Billy Dove, Lana Turner, Linda Darnell, Bette Davis, Gloria Baker, Ruth Moffett, et al.-with whom he was seen in public; and 2) the young, eager and not too prudish unknowns with whom he was almost never seen in public. Hughes has a harsh word for the latter: he calls them "crows." But even from them he fears a rebuff. It is part of Meyer's job to see that the green light is up before Hughes...
...Hollywood waited...