Word: hollywoodized
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Dates: during 1940-1949
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Another sizzling hot rock is Kirk Douglas, who began his theatrical career as a carnival wrestler, moved on to Broadway before he went to Hollywood in 1945. In his eighth picture, Champion, Douglas was poisonously perfect in the cobra-cold title role. Warner promptly signed him to a seven-year contract for nine pictures at about $125,000 a picture...
...Burning Glass. In Hollywood, which has long since proved its theory that even a flea can be taught to act a little, Elizabeth Taylor is a sure star of the future. Never has there been a time of such opportunity. For as age has dulled dozens of bright stars, custom has staled scores more. The public-though still attentive to such screen personalities as Robert Taylor, Hedy Lamarr, Errol Flynn, Irene Dunne, Greer Garson, Myrna Loy, Walter Pidgeon, Mickey Rooney, Loretta Young-no longer rushes by the millions to see a picture merely because one of them...
...Rocks. One of the likeliest of these newcomers is Montgomery Clift, sometimes called "the hottest thing in Hollywood." Clift, 28, earned fine reviews on Broadway in The Skin of Our Teeth and The Searching Wind before he went to Hollywood. There he refused long-term contracts, picked scripts shrewdly. Last year, in his first two pictures-M-G-M's The Search and Howard Hawks's Red River-his good acting and good looks clicked immediately...
Knees & Yeast. What all the most promising new cinemactors have in common is acting ability. "What these new girl starlets have in common," cracked one Hollywood whip last week, "is that they all bend their legs at the knee as they walk." Few of Hollywood's young actresses seem to have the yeast it takes to rise into the big dough. That yeast, says MGM's Casting Director Billy Grady, is a compound of "beauty and bitchiness." A pinch of acting ability can help...
Another good bet is Shelley Winters, the tidiest little actress to come Hollywood's way in years. In A Double Life, Larceny and The Great Gatsby she played the kind of chippie-off-the-block whom men inevitably fall for and (in the movies) just as inevitably murder. She brought to her few short scenes a cheap-cologne breath of real life that lingers on. However, at present Shelley's charms, encased in her typecast, do not appear to the best advantage...