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Word: hollywoodized (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

Breyer, who came to see the picture merely "in the line of duty," left the projection booth one of the film's biggest boasters. "I guess this proves," he stated, "that the Hollywood movie monopoly has been broken once...

Author: NO WRITER ATTRIBUTED | Title: Ivy Films Sell World Rights To New Movie | 4/16/1949 | See Source »

...Hollywood has given The Fan some handsome costumes and sets, retained a few of Wilde's wittier lines, and plumped out the familiar plot, like a tired old pillow, into a new but improbable shape. As the wayward Mrs. Erlynne, Madeleine Carroll is going about in present-day London. So is the once dashing Lord Darling-:on (George Sanders). Weighed down by :heir years and greasepaint, they piece together the old story in flashbacks...

Author: /time Magazine | Title: The New Pictures, Apr. 11, 1949 | 4/11/1949 | See Source »

...Johnston Office, Scripter "Carl Foreman made his hero, Midge Kelly Kirk Douglas), a shade gentler than Lardner's original. The movie Midge, for instance, does not paste his dear old mother in the jaw. Otherwise he is just about as unlovely a piece of humanity as Hollywood has ever treated at length...

Author: /time Magazine | Title: The New Pictures, Apr. 11, 1949 | 4/11/1949 | See Source »

Douglas had been known in Hollywood as a competent actor (The Walls of Jericho, A Letter to Three Wives'), but Champion promptly doubled his price per picture. Warner Brothers took one look and signed him up for a seven-year, nine-picture deal at just under $1,000,000. His first two pictures for Warner will be Dorothy Baker's Young Man with a Horn and Tennessee Williams' The Glass Menagerie. He will also continue to do one film a year for Screen Plays, Inc., the welterweight studio which produced Champion...

Author: /time Magazine | Title: The New Pictures, Apr. 11, 1949 | 4/11/1949 | See Source »

...Screen Plays, Inc.'s impresarios, Producer Stanley Kramer and George Glass, were sitting pretty. On something like $600,000 (chicken feed for a modern A movie), they had made a picture which some experts guessed would gross $3,000,000. They had also delivered a stiff uppercut to Hollywood's heavyweights. Sam Goldwyn promptly bought up the talents of Champion's young (34) Director Mark Robson (who, like Douglas, will continue to do one picture a year for Screen Plays). Aggressive little Screen Plays' next: Home of the Brave, the first of the new Hollywood cycle...

Author: /time Magazine | Title: The New Pictures, Apr. 11, 1949 | 4/11/1949 | See Source »

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