Word: hollywoodized
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Dates: during 1950-1959
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...first gatefold cover picture, it symbolizes not only the spirit of the season, along with Christmas cards and Santa's sleigh bells, but also a growing resurgence of religion and worship wherever men gather at Christmastide, be it in Bethlehem or Bogotá, North Viet Nam or North Hollywood, Calif...
Through it all, Swart, a onetime Hollywood bit-player cowboy who towers 6 ft. 7 in., managed a perpetual wan smile, and by the time he left for home the hue and cry had died down, even if no one was happy that the Queen's representative in South Africa should be a Boer with a pronounced anti-British bias (based on childhood memories of being herded into a British prison camp with his mother), dedicated to making his country a republic and taking it out of the Commonwealth. The Labor Party's executive committee last week passed...
...Beach (Stanley Kramer; United Artists) is a Hollywood vision of the end of the world. It is trumpeted as "the biggest story . . . The single most important film of our time." Last week it had a "Global Premiere," i.e., a simultaneous opening in 17 cities from Melbourne to Moscow. Alas, the version of the Nevil Shute chiller (TIME, Aug. 19, 1957) that Stanley (The Defiant Ones) Kramer has produced and directed turns out to be a sentimental sort of radiation romance, in which the customers are considerately spared any scenes of realistic horror, and are asked instead to accept the movie...
...Abner (Paramount), the Hollywood version of the Broadway version of Al Capp's comic strip, is a great big overblown pink-walled synthetic two-time reCapp. Like all Capp, it is Rabelais for the retarded, but it will probably carry an impressive bundle to the bank...
...these questions, Cartoonist Capp's millions of unflagging fans will find satisfactory answers. In the Broadway musical, the Capp characters were type-cast with amazing accuracy, and most of the Broadway players are there in the Hollywood production. The show's score (words by Johnny Mercer, music by Gene de Paul) is the big letdown: a chance to make good mountain music is passed up in favor of bad Broadway tunes. But the story gallops along, and the dancing scenes preserve the essential whomp. They'll love it in Lower Slobbovia...