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Word: hollywoodized (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Whatever their fate at Dartmouth, the Harvard skiers couldn't have worse luck than Scott Fitzgerald. Fitzgerald, working on the script of Winter Carnival with Dartmouth graduate Budd Schulberg in Hollywood, was fighting a touch of tuberculosis when producer Walter Wanger told the two scriptwriters to report to the scene for atmosphere. Despite protests, Fitzgerald was herded on a plane from California to New York, and as his alcoholism got the better of him, he boarded a train to White River Junction with much distaste. By the time Fitzgerald arrived, he was sick, drunk and sleepless. And during the next...

Author: By Tim Carlson, | Title: Light Whitening | 2/8/1974 | See Source »

Instead of being a nostalgic salute to old Hollywood detective movies, The Long Goodbye tosses the tradition's cliches out the window. Altman waves goodbye to the genre's habit of emphasizing plot instead of characterization. And Elliott Gould, as a Marlowe for the seventies, is like no detective we've ever seen before: a schlemiel forced to live up to his fantasies about justice and derring-do. He is a contemporary Rip Van Winkle, walking around modern-day Los Angeles with ideals and morals from a different...

Author: By Richard J. Seesel, | Title: Goodbye to All That | 2/6/1974 | See Source »

ALTHOUGH ALTMAN devotes much of the film's energy to a mockery of the worst excesses of Hollywood melodramas, the heart of the movie is Elliott Gould's portrait of Marlowe. He is the incorruptible core, surrounded by characters who vary only in the degree of their rottenness. Marlowe's may seem to be a naive view of the world, to be sure: His old-fashioned standards are as outdated in today's Los Angeles as his 1948 Lincoln. But the anachronism of Marlowe--the caring man in a Disneyland of indifference--is strangely appealing...

Author: By Richard J. Seesel, | Title: Goodbye to All That | 2/6/1974 | See Source »

...Hollywood...

Author: /time Magazine | Title: Letters, Jan. 28, 1974 | 1/28/1974 | See Source »

...most persuasive spokesmen for the censor's side is Jack Vizzard, who spend a career in the Hollywood Production Code Office, passing judgment on the acceptability of motion pictures, and who wrote about it a few years ago in an entertaining book called See No Evil. Summing up at the end of his book, Vizzard warns that "a tyranny is set up of sordid competition for lowest common denominators, in which writer is set against writer, and creative mind against creative mind in a contest first for the bold, then the shocking, then the sickly fringe, and then, lastly...

Author: By Emanuel Goldman, | Title: Defending Pornography on Its Merits | 1/22/1974 | See Source »

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