Search Details

Word: hollywoodized (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

Undaunted, Melchior moved to Hollywood and embarked on a heavy schedule of successful cross-country concert dates. In the lulls, he appeared in movies and revived his recording career, which spanned four decades and earned him a fortune...

Author: /time Magazine | Title: Music: The Magnificent Giant | 4/2/1973 | See Source »

There is a little more to the book than that kind of thing. There are beautiful lyric passages of Texas flash-floods and sunsets. There are swell jabs at "artistic" San Francisco hangers-on, mindless but elegant Harvardians slumming in Hollywood, and New York publishing pariahs who know all the names of their authors, but none of the thoughts behind them. Most impressive is a long episode focussed on an economic South Texas uncle, who lives on a huge sheep ranch, and does nothing but eat, curse out his Mexican help, and jeep over to his wife on another ranch...

Author: By Michael Sragow, | Title: Goodbye, Danny | 3/30/1973 | See Source »

Although her clients are mostly "new" Hollywood, Mengers, 36, is a throwback to the more flamboyant, flesh-peddling days of the studio moguls. At 5 ft. 2½ in. and 160 Ibs., usually billowing in a sea of muumuus and caftans, she is sometimes seen as a cross between Mama Cass and Mack the Knife. She has the soft, breathy voice of a little-bitty girl, the vocabulary of a mule skinner and the subtle approach of a Sherman tank. She often compares herself to Eve Harrington, the calculating and ruthless climber in All About Eve. In fact, a character...

Author: /time Magazine | Title: Show Business: Sweet and Sour Sue | 3/26/1973 | See Source »

...Marlowe's hard-boiled mystique--his pithy talk and polish, and his Sir Galahad morality. Altman's film is basically a wallow in the atmosphere of Los Angeles today. Altman's virtues are a good eye and some talent with actors, as well as a healthy distaste for the Hollywood culture which surrounds him. But his flaws are fatal: he doesn't know what makes a plot hold water, and can't give his characters enough of a past to make them interesting. He's not the director I would have picked up for a Chandler outing...

Author: By Michael Sragow, | Title: Kissing Off Chandler | 3/26/1973 | See Source »

...Elliott Gould, he is such a gifted director that his visuals and tossed-off stage business alone hold our interest. He crams his frames with different people doing interesting things, like gangsters taking off their clothes as a sign of group solidarity, or a Malibu Colony security guard impersonating Hollywood stars. If some of the shtiks misfire, Altman keeps on coming with others that don't. And aside from Gould and a stoned-out Sterling Hayden (Altman's film embarrasses us with this great screen presence's one enormous bust), the director's cast is good enough to follow...

Author: By Michael Sragow, | Title: Kissing Off Chandler | 3/26/1973 | See Source »

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