Word: hollywoodized
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Dates: during 1970-1979
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Died. Louella O. Parsons, 92, Hollywood's empress of gossip for more than three decades; in Santa Monica, Calif. Lolly, as intimates knew her, broke into movies as a scriptwriter, eventually moved on to write a daily Hollywood column for the Hearst newspapers. At her peak of influence in the '30s and '40s, the column appeared in 1,200 newspapers worldwide. A celebrated feuder, most notably with Orson Welles over his film Citizen Kane, which she said ridiculed William Randolph Hearst, she was also a tireless reporter with sharp instincts for a story and an early-warning...
...Hawk, the Classic Film Scores of Erich Wolfgang Korngold (National Philharmonic Orchestra of London, Charles Gerhardt conducting; RCA, $5.98). In the days when almost everyone loved Hollywood for its epic swashbucklers, almost everyone in Hollywood loved Erich Wolfgang Korngold for his epic, swashbuckling film scores. Starting in 1935 with Captain Blood, Korngold pretty much set the pattern-virtuoso tone poems that reinforced character with melodic motif, heightened situation with orchestral effect and commented relentlessly on just about everything taking place on screen. Such gems as The Constant Nymph, Kings Row, Juarez, Anthony Adverse and The Sea Hawk followed...
...doing his orchestral works. In 1921, when Korngold was 24, his opera The Dead City was mounted at the Metropolitan Opera, and legendary Soprano Maria Jeritza made her debut in it. Korngold promised much, but he kept that promise, sad to say for the world of serious music, in Hollywood, where he died...
...Much of which apparently comes under the heading of expenses. Ike's salary is $40,000 a year, but the church pays for his traveling expenses, owns his Hollywood and New York residences, two Rolls-Royces, two Mercedes and a Bentley...
Caine Mutiny. Edward Dmytrik, one of the Hollywood Ten, was also the one who relented, named names, and returned to a soulless, lucrative Hollywood career. He directed this film of the Herman Wouk bestseller, produced by the indefatigable Stanley Kramer, and it ends up as an Eisenhower-culture fantasy; the Jewish lawyer gets to ask, in the final moments. Where all of Captain Queeg's mutinous underlings were when Queeg was fighting--right from WWII's beginning--to prevent his grandmother from being turned into a soap-bar. Bogart is Queeg, the psychotic captain of the U.S.S. Caine...