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Word: hollywoodized (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...kids in beads, tank tops and bells have been complaining for some time now that the square world has taken over their thing and commercialized it. Films about the revolutionary young are pouring out of major Hollywood studios, while record companies, publishers and the fashion trade are also cashing in on Now. The latest development is that the squares who exploit the hip are in turn being exploited by the radicals. It is a logical development, considering the precedents: black militants have demanded their cut from church collections, and radical N.Y.U. students last spring captured the computer, demanding...

Author: /time Magazine | Title: Nation: Brave New World | 7/27/1970 | See Source »

...time, The Sound of Music. Ah, but then . . . sprinkled with Disney dust in Mary Poppins, way back in 1964 she began to turn into a pillar of sugar. Her marriage came apart, her "big" movie, Star, was the H-bomb of musicals, and she became the girl that Hollywood gossipists loved to hate...

Author: /time Magazine | Title: Cinema: Quarter Chance | 7/27/1970 | See Source »

...Hollywood studio system operates like a game of big-stakes roulette. You miss a few, win big on one number and then, as often as not, play it again to disastrous results. Two sequels to successful 20th Century-Fox films demonstrate that from an aesthetic standpoint the whole thing is a sucker's game...

Author: /time Magazine | Title: Cinema: Beyond and Below | 7/27/1970 | See Source »

...Hollywood has caught up at last. Wilder, 35, has lately been besieged with scripts and has sifted through them with his own brand of mad logic. What sort of actor would turn down a tempting offer from Mike Nichols to play in Catch-22, but accept the lead role as a Dublin manure spreader in a film improbably titled Quackser Fortune Has a Cousin in The Bronx? To everyone's good fortune (especially his own), Wilder did just that. Says he: "Quackser was the idealization of everything I've wanted to do as an actor. He typifies where...

Author: /time Magazine | Title: Show Business: The Happy Peasant | 7/20/1970 | See Source »

With his wayward orange mane and glazed fish-green eyes. Gene Wilder conveys a beguiling look of incipient madness. In his films to date he has seemed always on the verge of lurching into some marvelously insane enterprise. For a time he worried about becoming typecast as Hollywood's favorite neurasthenic comedian. "There was always a reservoir of hysteria in me that I could call upon as an actor," says Wilder. "As I grew out of it, I became more and more dissatisfied with the parts I was playing. But Hollywood, of course, couldn't keep up with...

Author: /time Magazine | Title: Show Business: The Happy Peasant | 7/20/1970 | See Source »

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