Word: hollywoodized
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Dates: during 1970-1979
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Correspondent James Willwerth has covered war in Saigon and peace (almost as harrowing) in the streets of New York City. Last week he was on his new beat in Hollywood, but his subjects were presumably still tough: Burt Reynolds and Clint Eastwood. "Covering illusion, I suspect, is going to be just as confusing as reporting reality," says Willwerth. Part of the confusion came from spending a few days with Reynolds. The flashy-flip, skirt-chasing, tire-burning macho hero of Semi-Tough, and a score of other cinematic excursions, proved to be a "semi-shy, urbane homebody." It turns...
...cane." In his newest film, The Gauntlet, Eastwood races by car, motorcycle, freight train and bus to bring a witness against the Mob to the trial on time. But only at the wheel, Witteman found, does the otherwise quiet and domestic Eastwood, who does not even bother with standard Hollywood equipment such as a pressagent, live up to his screen image. After a stint in the passenger's seat of Eastwood's Ferrari Boxer, tooling down those twisty Monterey Peninsula roads, Witteman admits that he was "scared to death." Most Eastern critics tend to dismiss the macho...
From here on out, our heroes' road should be straight, trending gently upward as it passes through the lovely countryside of wealth, fame and success?right? Well, not exactly. Hollywood had trouble believing Eastwood's pasta hits weren't flukes. And when he started to get work back home, he was appalled, "not only at the way money was misused, but also the lack of control that an actor had over the character...
...from Some Like It Hot? The Seven Year Itch? Actually, that familiar sultry smile belongs to Linda Kerridge, 23, an Australian-born model whose role in an upcoming movie called Star$ shows she can give a pretty convincing imitation of Marilyn Monroe. In the film, Kerridge works in a Hollywood pleasure house where the women look like famous movie stars. Off-camera, Kerridge has little in common with M.M. "Marilyn was wonderful, but very lonely, without family, without roots," says Kerridge. "I will not have the same problem...
FICTION Daniel Martin by John Fowles. With little of the narrative trickery that embellished The Magus, the author sends a Hollywood screenwriter on an engrossing psychological pilgrimage that undermines contemporary modish despair. Falconer by John Cheever. The loneliness of prison and memories is the theme of this deeply emotional novel. The Honourable Schoolboy by John le Carré. The further adventures of George Smiley, Britain's unlikeliest superspy, as well as a pitiless dissection of contemporary moral dilemmas. The Professor of Desire by Philip Roth. In presenting yet another of his Jewish intellectual heroes wrestling with sex and guilt...