Word: hollywoodized
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Dates: during 2000-2009
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...Sarris. On seeing Phaedra - an updated Greek tragedy that threw Anthony Perkins into the arms of stepmother Mercouri - Pauline Kael compared it invidiously to a Bette Davis weepie. Both were making the same point: that art isn't only what comes from Europe, and that kitsch wasn't a Hollywood monopoly...
...FROM HARLEM TO HOLLYWOOD...
...possible that this gentle, charming man had a hankering to spice up his movies with beefcake and beatings. But it's more likely that Dassin saw similarities between the wielders of the whips and his own bosses in Hollywood, or was finding objective correlatives for his own victimization by the blacklist. Informers, toxic whisperers and people who just can't keep a secret are everywhere in his films, from the gossiping cons in Brute Force to the main character in his U.S. comeback movie Up Tight!, a remake of the John Ford drama The Informer...
With his regal posture, searing blue eyes, perfect jawline and a baritone voice bred for noble declarations, Heston was the ideal vessel for Hollywood grandeur. In the 1950s and 60s, the era of the movie epic - those three-hour extravaganzas with a cast of thousands and the passionate enunciation of high ideals - he was the epic hero; it's almost impossible to imagine the genre without him. To any of these films he added millions in revenue, plenty of muscle and 10 I.Q. points...
...Northwestern student, and joined the Army Air Force, serving two years as a radio operator. On Broadway in 1947, he played in Antony and Cleopatra with Katharine Cornell (who, the year before, had done Candida with the young Marlon Brando). He did early TV and soon was in Hollywood...