Word: hollywoodized
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Dates: during 2000-2009
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...Jarre had been commuting between French films and Hollywood-financed ones for a few years before Lawrence. He graduated from short films (for Alain Resnais and Jacques Demy as well as Franju) to international employment with the 1960 doppleganger mystery The Crack in the Mirror; perhaps writer-producer Darryl F. Zanuck had been impressed by Jarre's scores for the early Franju features. Zanuck used him for two other Fox films, The Big Gamble and his D-Day superproduction The Longest Day. But it was not this work that led Jarre to Lawrence; it was his music for Serge Bourguignon...
...says Joe Elford, ASA staff attorney. "It's the beginning of the end, hopefully, and it will save the taxpayers millions if not tens of millions of dollars." He estimates that $500,000 is spent on the prosecution and incarceration of each individual facing charges. (See pictures of classic Hollywood stoner cinema...
...Genres. Would 3-D be a help or a hindrance to more intimate films - to the buddy comedies that are among the most reliable of Hollywood moneymakers, or to those prestige dramas, the high-minded equivalent of TV movies, that keep getting nominated for the Best Picture Oscar? These films don't want to establish a hyper-reality, just a familiar reality that brings the viewer immediately into the lives of their characters. Paul Blart, or the kids from Slumdog Millionaire, would not have benefitted from the in-your-lap urgency...
...Home Viewing. The 3-D wave of the '50s was meant to lure people away from their TV sets for a unique theatrical experience. But now, the home market - DVD and pay-cable - is where most people see most of their films, and where Hollywood makes much more money than it gets from theaters. Where's the inevitability factor in a format that can't yet be duplicated at home? Even Jeffrey Katzenberg acknowledges that 3-D won't be a major factor in home viewing for quite some time. And he's talking only about DVDs. What about...
Although certain self-parodying epiphenomena of the Age of Profligacy - so long, Paris Hilton! - are about to disappear, fun will endure. Hollywood is doing fantastic box-office business, thanks to insanely unserious movies like Paul Blart: Mall Cop and Madea Goes to Jail. The Colbert Report has been a special haven of sanity amid the sky-is-falling hysteria. And again, history is encouraging in this regard: Saturday Night Live and modern comedy were born during the malaise-y '70s, just as wit and humor - the New Yorker, the Marx Brothers, screwball comedy - flourished in the '30s. I'm even...