Word: hollywoodized
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...people! Reprising her role from the smash miniseries, Debra Messing is author and recent divorcée Molly Kagan, trying to keep herself and her daughter afloat in a sea of affluence populated by smarmy L.A. sharks. Predictable but pithy, Wife takes itself no more seriously than the Hollywood-haves it skewers...
...Ritchie has a portraitist-satirist's gift for creating supporting characters that's almost in the league of Preston Sturges, the pinwheeling comic genius of 1940s Hollywood. Now if only he could duplicate Sturges' range of milieux, from high society (The Lady Eve, The Palm Beach Story) to chicanerous politics (The Great McGinty) to the working class in big cities (Christmas in July) and small towns (The Miracle of Morgan's Creek, Hail the Conquering Hero). If appreciation for RockNRolla's entertainment abundance is freighted with disappointment, it's partly because Ritchie's early work has been elaborated...
Considered the ultimate boy's toy, the Ferrari represents the pinnacle of success, for those willing to pay the price. It has been a collector's item for wealthy Italians like Gianni Agnelli and Roberto Rossellini and European royalty such as Baron de Rothschild and the Aga Khan. After Hollywood gave it a starring role in The Thomas Crown Affair in 1968, a legion of iconic owners, including Dean Martin, Elvis Presley and Steve McQueen, followed...
...husband, a sea captain for Texaco, taking only a few photographs and the bank books for the Galveston Grandmothers Club. It was the first time she had left during a storm. In 1983, Hurricane Alicia, a category three storm, had blown hard but with no surge. This time, Hollywood Heights, her West End island neighborhood just two blocks off the beach was quickly put under water by Ike. A moldy black water line high on the yellow siding shows where the water had crested, perhaps as high as 15 feet. The green storm shutters had held, but had been blown...
...front of the camera was largely eliminated. “They welcomed the idea that I truly wanted their voices,” he said. “There is nothing more powerful than authorship, a sense of ownership.” In a move consciously contrary to typical Hollywood filmmaking styles that stress linearity, Hammer constructed his film’s narrative around what he called a series of “elliptical moments.” The emotional complexities of these moments are only hinted at, rather than explained outright through clunky dialogue. This decision, however...