Word: hollywoodized
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...culture backlash against p.c. was inevitable. Under the watchful eye of the p.c. police, mainstream culture has become cautious, sanitized, scared of its own shadow. Network TV, targeted by antiviolence crusaders and nervous about offending advertisers, has purged itself of what little edge and controversy it once had. Hollywood movies, seeking blockbuster audiences, are shying away from the restrictive R rating (not to mention the dreaded NC-17) and stressing feel-good family entertainment. Everyone is watching his or her words; language has grown cumbersome, self-conscious and freighted with symbolic baggage. In such an uptight climate, cultural renegades...
Holy gargantuan grosses, Batman! Hollywood has just ridden to the most lucrative moviegoing weekend in film history on the cape of The Dark Knight. Christopher Nolan's gritty Batman sequel raked in $155 million between Friday and Sunday, outselling the previous top weekend grosser, 2007's Spider-Man 3, by more than $4 million and driving the movie business to a record $253 million weekend...
...high that Dark Knight screenings were selling out online as fast as theaters could add them. The AMC South Barrington in Chicago planned to show the movie on six screens and ended up ordering more prints in order to play it on 18. A planned Friday midnight showing at Hollywood's Cinerama Dome sold out so quickly, its adjoining theater, the ArcLight, added 13 midnight screenings. Those midnight shows broke another record, earning $18.5 million, to beat out Star Wars, Episode III: The Revenge of the Sith's 2005 record of $16.9 million. And those numbers don't include...
...films arrive in theaters, but audiences are spreading good word of mouth and, in some cases, returning to see the film on IMAX screens. Whether there'll be enough returns to put The Dark Knight in all-time box-office territory remains to be seen. But Hollywood appears to have its box-office superhero...
...into thousands of multiplex Bat-caves to catch The Dark Knight this weekend, a couple thousand or so are seeing The Exiles at the IFC Center in New York City. (The movie opens over the next few weeks in San Francisco, Santa Fe and Los Angeles.) The gap between Hollywood blockbusters and indie films has never been greater, in exposure, box office revenue and media attention. Yet for intrepid cinephiles, the rewards of Kent Mackenzie's long-lost film are savory, and well worth seeking...