Word: hollywoodized
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Then there's the work. Contrast Chan's and Li's homemade, our-pain-for-your-gain, almost literally death-defying feats with those of Hollywood action stars from the same generation. Schwarzenegger, Sylvester Stallone, Chuck Norris--they all looked fit and muscular, and some had martial-arts backgrounds. But when it came time to do the heavy lifting, especially as they reached midcareer, the doubles were usually called...
...that these men lacked the guts to put themselves in danger but that they worked in a system in which that sort of bravado wasn't necessary or even allowed. Hong Kong saw action realism as a badge of honor; Hollywood was the fantasy factory. And its action-film stars were such valuable commodities, they had to be handled like preemies. The studios were breeding these men for 20-to-30-year careers. Let them perform their most daring stunts? Nah, we have people who do that...
Today these one-time Hollywood studs are only occasionally doing action films, or they are working in the direct-to-DVD subbasement, or they have retired to government service. And Chan, 30 years after he became an East Asian star with Drunken Master, still has a two-continent career: Cantonese-language films at home, the Rush Hour movies here. Li, who became a Hong Kong superstar with the Once upon a Time in China series, segued to the West with hit movies in Hollywood (Romeo Must Die) and France (Fearless...
...actors whom Chan and Li most closely resemble are the comedy stars of early Hollywood: Charlie Chaplin, Buster Keaton and Harold Lloyd, all onstage since youth. In films full of physical derring-do, they prided themselves on executing their own graceful maneuvers and extravagant stunts. The other big silent-action hero, Douglas Fairbanks, was famous for his perilous leaps between high structures. His reckless agility, as much as his radiant smile, made him a worldwide sensation...
When sound came in, Hollywood substituted talk for action. And when action films returned in the '70s (in part because of the success of Bruce Lee's Hong Kong epics), the stuntman system was firmly in place. Most stars of today's Hollywood action pictures, cosseted in visual effects, barely need to exert themselves...