Word: hollywoodized
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There's a new auteur theory making the rounds in Hollywood. This one sees directors as having the best shot at ending the 38-day long writers' strike that has paralyzed the entertainment industry, interrupting production on TV shows like 24 and Grey's Anatomy and movies like Da Vinci Code prequel Angels & Demons and the Johnny Depp drama Shantaram...
...jobs of tens of thousands of entertainment-industry workers, including many of our own members, and more lose their jobs every day the strike continues. With so much at stake and no end to the standoff in sight, we can no longer abdicate our responsibility to our own members." Hollywood unions have a history of piggybacking on each other's contracts. If the directors and the AMPTP are able to agree on a new media compensation formula, the WGA leadership would have a hard time convincing its members to continue the strike for the sake of the other issues...
...Pressure could be mounting from other corners in Hollywood as well. Below-the-line workers like grips, costumers and makeup artists have been among the first to feel the pinch of lost income. "I support what the writers want," says Jim Lapidus, who runs the costume department on the Fox show 24, which sacrificed its entire season to the strike. "I don't support the way they did it. I wish they would have stayed at the table and we all would have stayed working." Lapidus's tone is considerably more measured than that of Thomas Short, the president...
...comes the Hollywood Foreign Press Association, keepers of the Golden Globe Awards, to remind Hollywood that there is a middle way between ornery independent films and the mindless mainstreamers: the period romantic drama. Atonement, from the Ian McEwen novel about a love affair betrayed in posh 1930s England, received seven nominations, more than any other film, in the Globe list made public today. It's still OK, the HFPA said, to have an elevated, old-fashioned cry at the movies...
...rebels against the invading Soviets in the 1980s. It's a feel-good war-on-terror movie, and it was cited five times. Pointedly, none of the big Iraq movies in a serioso vein - In the Valley of Elah, Lions for Lambs, Rendition, Redacted, The Kingdom - got even one. Hollywood can now go back to not putting its political conscience on screen, secure in the knowledge that neither the audience nor the critics care...