Word: hollywoodized
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...Fans of the Western will say that trope simply proves the purity of the form: that it's a fable, a parable, a chivalric test of manhood. Whatever its historic validity, the notion of the big shootout kept Westerns going strong for the first 70 years of Hollywood cinema. It began with the first smash hit at the nickelodeons, The Great Train Robbery, and continued with Cecil B. De Mille's The Squaw Man and John Ford's The Iron Horse in the silent era. Cimarron, a generational tale from Edna Ferber, was declared Best Picture at the fourth Academy...
...There's an assumption in Hollywood that the western is a homeless genre," says Mangold, "that it doesn't have a built-in audience. The adults who might want to go don't go to the movies, and the young ones are locked into the superhero world." Mangold also sees "a Hollywood bias against the America between New York and L.A. The movie industry is basically built serving 14-year-old males, and they aren't interested in rural America...
...foreigners, it's different. The American West is a fantasyland, a place of endless plains, quaint towns and tough men settling scores. Akira Kurosawa transposed the genre's tropes to medieval Japan, then saw his Eastern westerns remade in Hollywood (The Seven Samurai as The Magnificent Seven) and Europe (Yojimbo as Leone's Fistful of Dollars). Leone followed up with For a Few Dollars More--surely the most honest title ever given a sequel--and the spaghetti western craze was born. Django, director Sergio Corbucci's bleak riff on Fistful, with its hero lugging a coffin that has a machine...
...western directors never had to consider. "John Ford could just run amuck," says Mangold, "carving out trails between sacred burial grounds and monuments. Now the environment is so protected in these national parks that we had 350 rangers watching every move if we step on one indigenous plant." Hollywood has also lost its teeming cavalry of saddle-up stars and stuntmen. Peter Fonda, who directed the fine western The Hired Hand in the 1970s and appears in the new Yuma, recalls that before shooting began, "they had what's called cowboy camp. A lot of the younger actors hadn...
...when the crusade was finished. Having founded the Billy Graham Evangelistic Association in 1950, he took a straight salary, comparable to that of a senior minister of a major urban pulpit, no matter how much in money his meetings brought in. He was turning down million-dollar television and Hollywood offers half a century ago. He never built the Church of Billy Graham, and while he lived comfortably, his house is a modest place. If he had wanted to get rich, he could have been many, many times over...