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Word: hollywoodized (lookup in dictionary) (lookup stats)
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...dubbed the "girl next door" for her frequent turns in the '40s and '50s as the loyal, adoring girlfriend or wife in such films as Two Girls and a Sailor, with Van Johnson, and The Glenn Miller Story, opposite Jimmy Stewart; in Ojai, California. Allyson was upbeat about her Hollywood reputation, but it doomed her efforts to take on grittier roles-1955's The Shrike, in which she played a harsh wife who drives her husband to a nervous breakdown, was a flop. She once claimed she couldn't live up to her image. "In real life," she joked...

Author: /time Magazine | Title: Milestones | 7/17/2006 | See Source »

...Village, grossed in the $250 million range. Shyamalan (pronounced Shah-ma-lahn) is well aware of the power of those numbers. "Except for Pixar, I have made the four most successful original movies in a row of all time," he says--not as a boast but to explain Hollywood math. His films are relatively inexpensive to shoot, costing about $65 million to $68 million. "If you're not betting on me," he says, "then nobody should get money. I've made profit a mathematical certainty. I'm the safest...

Author: /time Magazine | Title: M. Night Shyamalan's Scary Future | 7/16/2006 | See Source »

Over the decades, French films have meant different things to the American audience. For a long time they were ooh-la-la, saucier, more worldly than their robust but prim Hollywood counterparts. Then, when movies became films, they were the heart (François Truffaut) and the brains (Jean-Luc Godard) of international cinema in its glory days. Then there were the boulevard comedies, like La Cage aux Folles and Three Men and a Baby, that got remade by Hollywood. After that they retreated into austerity, into the perfunctory embrace of minimalism. And now... well, frankly, now French films...

Author: /time Magazine | Title: Off With Their Hearts! | 7/14/2006 | See Source »

...uneasy sequel, but now he learns the price of romantic impulse. The newlyweds, holed up in an improbably palatial Greenwich Village apartment (at MGM, even squalor was laid out on the grand scale), are so ill-matched, the happy ending is either a reversal or a strenuous act of Hollywood's wishful thinking. Presenting the hard facts of postwar accommodation, then glossing over them, was MGM's way of offering a panacea, or placebo, to millions of men back from the war, wondering if they were returning to the best years of their lives...

Author: /time Magazine | Title: In Defense of June Allyson | 7/11/2006 | See Source »

...signed up for a couple of stints in those employment agencies for geriatric actors, The Love Boat and Murder, She Wrote. (What, no Fantasy Island ?) According to IMDb, her last role was a Lady in Hotel in the Carrie Fisher TV movie, These Old Broads, which is famous in Hollywood gossip history as the production that brought Elizabeth Taylor and Debbie Reynolds back within spitting distance of each other, nearly a half century after Liz stole Eddie Fisher from Debbie. IMDb says Allyson's appearance was "uncredited." Ouch...

Author: /time Magazine | Title: In Defense of June Allyson | 7/11/2006 | See Source »

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