Word: hollywoodized
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...great restaurant just opened - or maybe it's a club, or a Broadway show - and everyone's raving about it, but nobody can get in. Movies, though, are the people's entertainment; Hollywood exists to give its vast audience instant gratification, to have enough screens for all the masses to attend the big new movie on its opening weekend, in its optimum format. You want to see the new hit film? No problem. Theater exhibitors will increase the number of screens showing it. Buy a ticket and walk...
...selected film was André de Toth’s “None Shall Escape” (1944), one of a small number of World War II-era Hollywood films that represented the extermination of European Jews then underway. The screening was preceded and followed by discussions with Jean-Michel Frodon, former managing editor of the seminal French film magazine, Cahiers du cin?...
Frodon discussed “None Shall Escape” in the context of his new book “Cinema & the Shoah,” an exploration of cinematic responses to the Holocaust. A complicated relationship between Hollywood and the Nazi Party, he explained, kept American cinema—despite its many Jewish industry leaders—from representing the Nazis negatively until nearly...
...example of that tension, Frodon cited the assassination of a Jewish Warner Bros. representative in Berlin by the Nazis as early as 1934. “Of course,” he added, “Hollywood also had to consider commercial concerns,” given that many Americans had conflicted views of the war. “None Shall Escape,” for example, did well at the box office but was far from a breakaway...
...cinematic depictions of the Holocaust, Frodon urged, must be understood in their context—when they were made, by whom, and for what purpose. Historical inaccuracies should be noted, but artistic responses, even commercial Hollywood films, cannot be judged solely by their historical veracity...