Word: hollywoodized
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...Barrymore - the humans never stood a chance. The horror-comedy Zombieland won the weekend in North American theaters by scaring up $25 million, according to early studio estimates, which is more than the $23.6 million it cost to shoot the thing. This spawn of Shaun of the Dead helped Hollywood rebound from a lethargic frame a week ago; the industry's total take was nearly as burly as the same weekend last year, when the multiplex was ruled by Beverly Hills Chihuahua, another comedy about the invasion of Los Angeles by odd-looking creatures. (Read TIME's review of Zombieland...
...favorable reviews. One dissenter in the critical community, Manohla Dargis of the New York Times, wrote that "the piles of bodies at the end did make me flash on the Nazi extermination camps, which, you know, really killed the joke, too." What do you bet that somebody in Hollywood scanned the Dargis review and got the bright idea of casting Breslin in a remake of The Reader for tweens...
...people who agree with his populist-lefty agenda. No, they pay to see him play "Michael Moore": a heavyset fellow with a doofus grin, alternately laughing and badgering but perennially at the center of attention. For all his girth, Moore fits the mold of the little guy in classic Hollywood movies. Like Jefferson Smith and Rocky Balboa, he bucks the odds and takes on the power élite: the gun lobby in Columbine, the occupation of Iraq in Fahrenheit, the health-care industry in Sicko...
...words strike more fear into my theatergoer's heart than these two: star vehicle. Usually they mean either that some old warhorse has been revived merely to service the career needs of a Hollywood ego, or that a flimsy new construction has been trundled onstage just to see how much of the scenery can be chewed up. A Steady Rain,a new Broadway play by Keith Huff starring Hugh Jackman and Daniel (James Bond) Craig, raises another warning flag the minute the lights go up. The two actors are the only people on stage, talking directly to the audience...
...After moving to Hollywood, he made his first U.S. feature, Rosemary's Baby (1968), a now classic horror film adapted from Ira Levin's best-selling novel about a woman who discovers she has had a demonic child...