Word: hollywoodizing
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Dates: during 1980-1989
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Upon hearing that he planned to flee Hollywood for Cambridge, Ken Howard recalls his mother saying in her North Carolina drawl, "Isn't that delightful dear, but perhaps you could talk to the producers. Maybe you could go into a coma...
During an interview, Howard is dressed modestly, wearing a brown tweed jacket, striped tie, butten down shirt and khaki pants. His hunched posture downplays his six-feet six-inch frame. His appearance is Eastern preppy, rather than Hollywood glitz...
Howard clearly prefers the East Coast lifestyle to that of the West. While living in California with his wife Margo, a political humorist for "The New Republic," the Howards grew dissatisfied with the Hollywood scene. "I never really settled in there. I always had one foot back on the Eastern seaboard," he says...
...first glance the symbolism is painfully apparent. On the set of his 37th feature film, in a makeshift studio 35 miles north of Los Angeles and a world away from Hollywood, the 80-year-old director sits in a chair, watching the action on a closed-circuit television monitor and rumbling orders into a microphone. The jauntiness of his warm-up suit is belied by the clear plastic tube that runs from his nose, behind his ears, down his chest and along his leg to an oxygen tank, a last-ditch defense against the emphysema that has plagued...
...would underwrite the film only on the condition that his friend Director Karel Reisz stand by. The all-Irish cast -- including Donal McCann (as Gabriel), Donal Donnelly and Dan O'Herlihy -- was drawn largely from Dublin's famed Abbey and Gate theaters, but it had no star power in Hollywood's terms. All studios, major, minor and independent, turned the film down, despite the low, $5.5 million cost...