Word: hollywoodizing
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Dates: during 1980-1989
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...bounce of Let's Have Another Cup of Coffee. For the first-act finale of As Thousands Cheer (1933), he dusted off an old clinker called Smile and Show Your Dimple, put a new bonnet on it and called it Easter Parade. Two years later, it was on to Hollywood, where Berlin wrote many of the tunes that sent % Fred Astaire and Ginger Rogers flying into celluloid legend. Back on Broadway in 1946, he achieved his greatest success with Annie Get Your Gun, which gave showfolk their brassy anthem, There's No Business Like Show Business...
This fall the moviegoer has a choice of two Black Rains set in Japan, but they're not hard to tell apart. One is Shohei Imamura's stark meditation on Hiroshima 1945. The other is a cop movie backed by some heavy Hollywood artillery: the producers of Fatal Attraction. Michael Douglas and Andy Garcia are two New York City detectives on the trail of a cool, vicious Japanese gangster (Yusaku Matsuda). Their contact in the Osaka constabulary is a by- the-book gent (Ken Takakura) affronted by Douglas' bullying. You've seen this picture before; last year it was called...
...also-rans (Charles Rocket, Mary Gross). One year it brought in seasoned ringers like Billy Crystal and Martin Short (no fair -- they were ready for prime time); then Michaels returned with an all new cast that ranged from teen flashes-in-the-pan like Anthony Michael Hall to Hollywood veteran Randy Quaid. But the ensemble - feeling had disappeared, and the writing had grown desperate and juvenile: in one witless sketch, Bobby and Jack Kennedy plot to murder Marilyn Monroe. There was talk of cancellation...
...credit, he was a sport, once laying on a swank downtown party for the Duke swimming team he managed. He lived in an ordinary town house, but it was elegantly appointed and always stocked with good wine. He boasted about his friendships with Kevin Costner, Burt Reynolds and other Hollywood celebrities...
...Fall of the City of Mahagonny (1930), seems to be set on a wildly imaginary Florida Gold Coast. But to Jonathan Miller, the gifted British director who was commissioned to stage a new Mahagonny at the enterprising, young Los Angeles Music Center Opera, there could be only one locale. "Hollywood," he said before last week's opening night, "seemed to be a living metaphor...