Word: hollywoodizing
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Dates: during 1980-1989
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...texture of Olivier's life and career. He was the son of a fifth-generation Anglican clergyman, yet he found his soul upon the wicked stage. The foremost classical actor of his time, he attained his first eminence as a West End matinee idol, and his second as a Hollywood dreamboat in Wuthering Heights (1939) and Rebecca (1940). Though he pored over scripts like a new critical scholar, he was an irrepressibly physical stage performer, scaling balconies and executing dizzying falls with Fairbanksian elan. Like many men, Olivier housed a congeries of contradictions; uniquely, he transformed them into living...
...hectic scene marked the latest and most dramatic stage of a three-way battle that has captured the attention of everyone from billion-dollar money & managers to Hollywood movie directors. At issue before Judge Allen was an effort by Paramount Communications to block Time Inc. from acquiring Warner Communications in a $14 billion friendly merger that would create the world's largest information and entertainment company. If the judge had granted Paramount's motion, which was joined by several major Time shareholders, Paramount could have pressed ahead with its hostile bid to acquire Time for $12 billion. But after...
...know what Malcolm X says: 'What's a black with a Ph.D.? A nigger.' Why should I spend my time and energy getting around that. I know who I am, and I'm comfortable with that . . . It's difficult because I don't have the luxury white filmmakers have. Hollywood makes 500 films a year. How many of those are black films? On the one hand you want to be yourself, on the other hand you can't turn your back on black people. We're torn...
...ability to market his own films gives Lee an edge when he deals with Hollywood. Still he approaches it with distrust and stubbornness. "I have a script, and they know I have final say. They know there are things I'm going to demand. If they want to do the film, these things have to be met, or else we don't do it." But Lee is in a precarious position: he needs the power, muscle and money of a major studio to market and distribute his films, while still protecting his work. "He is fighting for his creative life...
Back in Brooklyn, Lee is at home. When he was honored last month by the Black Filmmaker Foundation, Lee pledged allegiance to his home borough and teasingly swore never to join Hollywood's "black pack," whose members include Eddie Murphy and director Robert Townsend. Lee's next picture, the story of a jazz musician who must balance his career and love life, will also be shot in Brooklyn and Manhattan. Hollywood holds little allure for the man who rides around on a twelve-speed Peugeot bicycle (he doesn't have a driver's license) and considers a relaxing evening "going...