Word: hollywoodizing
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Dates: during 1980-1989
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...evening grows old. What if Ted Kennedy ran against Richard Nixon? And later, by bedtime: What if Johnny Carson were a candidate? Now a nationwide poll for Spy magazine answers these pressing questions. Kennedy, for example, would beat Nixon decisively, 52% to 29%. As for following Reagan from Hollywood into politics, the clear favorite is Charlton Heston, followed by Paul Newman and Bill Cosby. (Carson comes in sixth.) Asked which candidates seem the "craziest," voters singled out Jesse Jackson, Pat Robertson and Alexander Haig, in that order. Crazy or not, Jackson was the front runner in the Democratic field, with...
...stances reinforce lingering qualms that he is driven primarily by a desire to leap to the top of the ladder. Many of the causes he has embraced, like revitalizing education, are apple-pie issues that provoke little dissent. Others, such as his opposition to the colorization of Hollywood films, can be ridiculed as merely trendy. More significantly, he has edged leftward from his moderate moorings (he was a founder of the Democratic Leadership Council, a centrist group) as he plays to the liberal activists who dominate the Iowa caucuses. He has reversed his support of tuition tax credits...
...best, Nuts is a picture that has much to say about the corrupting power of possessive love. But as adapted for Streisand by Tom Topor and veteran Screenwriters Darryl Ponicsan and Alvin Sargent, it too often surrenders to the banalities of its genre. For Nuts exemplifies one kind of Hollywood high-mindedness: the "I'm O.K. Because Society Says I'm Not O.K." movie. The protagonist is not insane, merely misunderstood by those who impose rules she refuses to play by. Every time an authority figure declares she is incompetent, her sanity is supposed to be affirmed. This...
...this considerable defect, and you can take solemn pleasure in Director Martin Ritt's familiar craftsmanship. You can enjoy the strong performance by Richard Dreyfuss (as Claudia's public and private defender). You may even smile at Streisand's straining to create another movie metaphor for her own fettered Hollywood eminence. Claudia, like Yentl before her, is a smart, sexy woman whose place of respect the boys in power want to deny. Streisand, who has both power and respect, might be advised to use that leverage on a project less conventional and complacent than this very mixed Nuts...
...floor exhibit at the ICA is organized according to different periods in Sherman's short career. Her earliest photographs are "film stills," small black-and-white pieces in which she assumes the role of an imaginary starlet caught for the camera in a contrived Hollywood moment. Already in these early works, which date from the late '70s, one sees the artist's preoccupation with her own transformed image. The film stills reflect, says Sherman, "the role playing that everyone does through life...