Word: holm
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When the 1936 Olympics came round, Swimmer Holm was doing pretty well as a night-club singer, with her husband's and other bands. She started her celebrated trip on the S. S. Manhattan on the wrong foot with the U. S. Olympic Committee by trying, unsuccessfully, to pay her own way first class. She spent her time in first class anyway, with newspapermen, taking literally the Committee's instructions to keep the kind of training to which she was accustomed. So the Committee's sober Chairman Avery Brundage threatened to kick her off the team...
After this unexpected turning point in her life, Swimmer Holm turned professional, did a Tarzan movie with Olympic Decathlon Champion Glenn Morris (which proved that she might have listened more attentively to Mrs. Dillon), made more money than she had ever seen before. She met Billy Rose at the 1937 Cleveland Aquacade, where her curvesome capers pleased him as well as the customers...
...vivid and varied spectacle, the Aquacade Revue is almost certain to win first place in the Fair's entertainment list. Ashore, Crooners Frances Williams and Morton Downey blare out tunes good & bad while hordes of gay, limbsome "aquafemmes" prance and promenade. Afloat Swimmers Eleanor Holm and Johnny Weissmuller do a kind of aquatic waltz to music while "aquabelles" and "aquabeaux" weave patterned water ballets. A water tumbler (whom Billy Rose forgot to call an aquabat) gets laughs from the water, while four custard-pie pantomimists get laughs on land. The revue finally explodes into a patriotissimic finale, featuring...
...want you to understand there's no nudity in our show; we're not running anything like that Rand woman's ranch. We've got 156 beautiful Aquagals here, and they all wear something," Eleanor ("Aquabelle") Holm said in an interview on the opening day of the World's Fair...
...buildings which house Vermont's youngest and most experimental college, some 150 acolytes, many of them heads of dance departments in other colleges, leaped and squatted with ardor, preparing for big stage events with which the Festival wall close next month. Present besides High Priestesses Graham, Humphrey and Holm, High Priest Weidman, were portly, dachshund-toting Louis Horst, patriarch of the movement, prim N. Y. Times Dance Critic John Martin, its principal evangelist. While London's ballet world was rent in a grand écart, Bennington's modern dancers heaved together in a lusty assembl...