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Consider the following two films: in the first, a character known for his logical prowess stands before the audience and explains, “When you eliminate the impossible, whatever remains, no matter how improbable, must be the truth,” and proceeds to deduce the unlikely origins of...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Sherlock Holmes | 2/2/2010 | See Source »

To be fair, this comparison says less about “Star Trek”—in which Spock simply echoes, for the benefit of Trekkies, a line first used in “Star Trek VI: The Undiscovered Country”—than it does...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Sherlock Holmes | 2/2/2010 | See Source »

As detective-cum-action-hero Holmes, Robert Downey Jr. discovers what many great actors have before him—that one can play essentially the same character in many films, provided that one is entertaining enough to get away with it. In Downey’s case, the intellectually brilliant...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Sherlock Holmes | 2/2/2010 | See Source »

“Sherlock Holmes” functions more as a nod to the logical bent of Conan Doyle’s series than as a serious portrayal of it. From impossibly large explosions whose implausibility is exceeded only by the number of proximal characters who manage to survive them...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Sherlock Holmes | 2/2/2010 | See Source »

1. Avatar, $30 million; $594.5 million, seventh week 2. Edge of Darkness, $17.1 million, first weekend 3. When in Rome, $12.1 million, first weekend 4. Tooth Fairy, $10 million; $26.1 million, second week 5. The Book of Eli, $8.8 million; $74.4 million, third week 6. Legion, $6.8 million; $28.6 million...

Author: /time Magazine | Title: Avatar Pushes Mel Gibson Off the Edge | 1/31/2010 | See Source »

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