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...approve. Behind a 1½-ton steel and reinforced concrete door and enclosed within 4 ft.-thick walls, the room is equipped with a hand-cranked ventilator that sucks in outside air and could filter out radioactive dust. Most evenings, the fare includes steaks, omelets and salads. Come the holocaust, though, Deur's village clientele will be treated to a repast of freeze-dried haricots verts, vacuum-packed charcuterie and as much French wine as survives the first blast. The dining room ordinarily seats 30, but in a nuclear pinch the tables can be squeezed to accommodate...

Author: /time Magazine | Title: Living: Odds & Trends | 8/11/1980 | See Source »

...left leg did not prevent her from giving several benefit performances for the Haifa Theater, nor from taking her first tour of Old Jerusalem. Unfortunately, the star-struck local press easily matched her pace every limp of the way. Plagued by reporters at Jerusalem's monument to the Holocaust victims, the actress exploded: "You won't even let me cry by myself! People don't follow me around...

Author: /time Magazine | Title: People, Jul. 7, 1980 | 7/7/1980 | See Source »

...since the Nazi Holocaust, the play has been a source of controversy as well as cash. Jews and liberal Christians alike have charged the play with antiSemitism. The recounting of Christ's Passion, though it is drawn from the New Testament, embroiders considerably upon the biblical accounts. The florid script, rewritten from older versions in 1860 by Parish Priest Joseph Alois Daisenberger, fixed blame for the Crucifixion totally upon the Sanhedrin and the Jewish rabble, which amateur actors portrayed with much shaking of angry fists and fiendish cries for Jesus' blood. After the Second Vatican Council declared...

Author: /time Magazine | Title: Religion: Once More Oberammergau | 6/9/1980 | See Source »

Guernica was the last masterpiece of painting to be provoked by political catastrophe. World War II and the Holocaust evoked nothing to match it, and the monuments to the Gulag are books, not paintings. Guernica's power flows from the contrast between its almost marmoreal formal system and the terrible vocabulary of pain that Picasso locked into it. It is shown at MOMA with all its preliminary studies, and to see Picasso developing these hieroglyphs of anguish, the horse, the weeping woman, the screaming head, the fallen soldier, the clenched hand on the sword, is to witness...

Author: /time Magazine | Title: The Show of Shows | 5/26/1980 | See Source »

...children of the Holocaust, I never felt persecuted or different. We all are a product of our backgrounds, but to blame our parents' experiences for all the problems we may face is unfair. My problems are primarily associated with inflation and the high cost of living. Do we blame this on our parents' history...

Author: /time Magazine | Title: Letters, May 19, 1980 | 5/19/1980 | See Source »

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