Word: holst
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...John Williams, the composer of numerous film soundtracks including the upcoming Star Wars: The Phantom Menace. My friend was accusing Williams of being a shameless sell-out, a hack who borrows from a hundred other works, including his own soundtracks on occasion. The Star Wars soundtracks steal voluminously from Holst and Wagner, as well as Stravinsky; the soundtrack for JAWS is an amalgam of numerous traditional sea themes from dozens of sources. But while I attempted to make a comparison of Williams' use of so many different sources to that of Milton's insertion of classical references in Paradise Lost...
...case of Star Wars, Holst's "The Planets" had been used in film, television, and even radio as soundtracks to space-related media; Williams knew that, and composed accordingly. As George Lucas was filming the original Star Wars, he used the work of Wagner and Holst as a makeshift soundtrack. When the time came for the creation of an original track, he asked Williams to create something similar...
...John Williams, the composer of numerous film soundtracks including the upcoming Star Wars: The Phantom Menace. My friend was accusing Williams of being a shameless sell-out, a hack who borrows from a hundred other works, including his own soundtracks on occasion. The Star Wars soundtracks steal voluminously from Holst and Wagner, as well as Stravinsky; the soundtrack for JAWS is an amalgam of numerous traditional sea themes from dozens of sources. But while I attempted to make a comparison of Williams' use of so many different sources to that of Milton's insertion of classical references in Paradise Lost...
...case of Star Wars, Holst's "The Planets" had been used in film, television, and even radio as soundtracks to space-related media; Williams knew that, and composed accordingly. As George Lucas was filming the original Star Wars, he used the work of Wagner and Holst as a makeshift soundtrack. When the time came for the creation of an original track, he asked Williams to create something similar...
...first two movements are dark and nightmarish. Moments of lightness only parody true happiness, and do little to dispel the deep anxiety that pervades this entire section. Strong rhythmic chords in the second movement must almost certainly have influenced Gustav Holst's "Mars" in the Planets suite...