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Word: home (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Supporters of a public firm can also call the major private oil bureaucracies disloyal. During the Yom Kippur War and the Arab oil embargo, American oil companies demonstrated they will not put their home country first--they restricted deliveries to the U.S. proportionally more than to other customers. It is simply foolish to leave all control of a commodity vital to our industry and military in the hands of men understandably motivated by profit alone. The traditional conservative concern for national security should be harnessed to support a federal oil company...

Author: By Mark R. Anspach, | Title: All-American Oil | 11/10/1979 | See Source »

...noted in 1975. "No other government outside the United States has thought it wise to be completely dependent on the oil companies." But the U.S. would not have to explain a decision to participate in the oil industry only in terms of joining its capitalist comrades. It could cite home-grown precedents, too. The best is probably the Tennessee Valley Authority. It was a model of the yardstick competitor not only in price but in services and social concern, reclaiming land and replanting forests...

Author: By Mark R. Anspach, | Title: All-American Oil | 11/10/1979 | See Source »

...Brown did anything a team could possibly do to get a home field win," Crimson coach Bob Scalise said after the game. "They had a band playing so loud you couldn't hear yourself think...

Author: By Nell Scovell, | Title: Brynteson Blazes; Booters Bop Brown | 11/10/1979 | See Source »

...calmly assertive, his anger and pain masked behind a cool sarcasm. MacDonald's acting is consistent in the first two acts. In the third act, however, he adds fire to his performance as he stalks Martha with the deadly determination of a jungle cat, and his words slam home with the impact of a triphammer...

Author: By Amy R. Gutman, | Title: Treading the Fine Line Between Illusion and Reality | 11/8/1979 | See Source »

...action takes place late one night after a party in a small New England college town. Martha (Karen Shallo) and her husband George (Pirie MacDonald), return to their home accompanied by a newly married, recently arrived couple, Nick (Ralph Redpath) and his wife Honey (Joy Bond). In the ill-defined hours of early morning, the four play out a series of nightmarish games of confrontation. The cob web illusions that cling to the consciousness are torn away to reveal ugly truths long hidden...

Author: By Amy R. Gutman, | Title: Treading the Fine Line Between Illusion and Reality | 11/8/1979 | See Source »

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