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...addition to his stellar defense, Graham welcomed Crimson sophomore starting pitcher Brent Suter to the mound with a leadoff home run to right field. The Bears tacked on one more in the first when junior Josh Feit singled through the right side of the infield, but Brown was unable to manage any more runs...

Author: By Evan J. Zepfel, CONTRIBUTING WRITER | Title: Strong Efforts Ensure Sweep | 4/20/2010 | See Source »

Harvard quickly responded to the Bears’ early lead, scoring two of its own in the home half of the frame. With runners on first and second, Franklin doubled down the left field line, scoring O’Hara and sophomore Marcus Way for his first two RBI’s of the game...

Author: By Evan J. Zepfel, CONTRIBUTING WRITER | Title: Strong Efforts Ensure Sweep | 4/20/2010 | See Source »

...Sun” and “Kaili,” form a brilliant triple act with “Odessa,” venturing daringly into various subgenres of dance but with a firm safety line linking them to Caribou’s dreamy home territory. Soon enough, though, that line starts to drag the record back towards Caribou’s earlier sound, and “Swim” experiences something of an identity crisis. Caribou seems to lose his nerve, and the meandering, spacey sounds of “Andorra” reappear...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

That Goldstein is much more at home in the academic realm than in the religious gradually becomes clear. For all her novel’s ambition to portray and explain the modern religious experience, it is unable to shake sufficiently free of its author’s initial presumptions. Like many new atheist tracts, “36 Arguments for the Existence of God” paints the religion-and-reason question in Manichean terms. This sort of framing can highlight sharp distinctions in philosophies, but doesn’t begin to approach the varieties of religious experience?...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Goldstein Opens Up Religious Discussion in ‘36 Arguments’ | 4/20/2010 | See Source »

...which the Joneses mimic the tendencies of a normal American family is the source of both the movie’s clever humor and disturbing power. Even in the privacy of their own home, the relationships between Kate, Steve, Mick, and Jenn are not so far off from recognizable family dynamics. Moore, who doubles as the matriarch and the head of this particular advertising “unit,” skillfully imitates the ambitious career woman who puts her job before emotional intimacy, and constantly pressures her family members to reach their full “potential...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: The Joneses | 4/20/2010 | See Source »

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