Word: homerically
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London's Royal Shakespeare Company has returned to the Greeks in a three-night marathon cycle often plays derived from Aeschylus, Sophocles, Euripides (seven of the ten) and a dramatization by John Barton of a segment of Homer. The cycle is presented as a trilogy: "The War," "The Murders" and "The Gods." Its purpose: to show the turbulent destiny of the doomed House of Atreus in chronological order. Barton, master builder of this endeavor, likes to work on the grand scale. In previous years he was celebrated for The Wars of the Roses, a panorama adapted from Shakespeare...
According to Joel Homer, who chronicles such excrescences in his forthcoming book, Jargon, these terms can fall into the category of "nonverbal verbalizing ... a speech system in which words are used more as images than conceptual symbols." Nonverbal verbalizing (itself an outstanding piece of jargon) flourishes best in its home, Washington, D.C. There, after the Three Mile Island accident gave more mileage to the term, "China Syndrome," Joseph Hendrie, then chairman of the Nuclear Regulatory Commission, concluded: "It would be prudent to consider expeditiously the provision of instrumentation that would provide an unambiguous indication of the level of fluid...
...frozen night in late September 1978. Every game meant extinction for the Sox. The Tigers at Fenway. Torrez looks great and preserves a 2-1 lead thanks to a Rice homer. With a man on second--forget who--a Tiger--forget who--singles sharply up the middle. Fred Lynn charges, scoops, throws, watches and jumps up like a little kid when the umpire grunts...
...work, separating it, by implication, from everything else ever painted by Velázquez, turning it from one painting among others into a dead whale on a flatcar, a curiosity to be gawped at. To most people visiting the Met, Rembrandt's Aristotle Contemplating the Bust of Homer, bought amid vast publicity in 1961 for $2.3 million, is still "the two-million-dollar Rembrandt." It is removed, none too subtly, from all other Rembrandts. In the meantime, the clichés of art appreciation-"masterpiece," "genius," "deep humanity," "quality," "values" and the rest of that fustian-become...
...themselves so much as in the way they are used. Octavio Paz, who must surely rank as one of the handful of great living poets, was teaching a course in Spanish to a half dozen students. Fitzgerald, one of the few extant experts on epic poetry, taught one student Homer and Dante. Paul Rotterdam, one of the few significant contemporary painters who even dain teach, had eight students in his course: of which perhaps two were seriously considering careers as painters. These are just a few examples from my years at Harvard. They represent a shocking waste of resources...