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...impressive, older entrance, and much more aesthetically pleasing than the new entrance. The Boston Public Library features an outdoor courtyard within the library complex, as well as famous artwork on public display, including the John Singer Sergent murals, as well as artwork by Picasso, Rembrandt, Toulouse-Lautrec, and Winslow Homer...

Author: By Jenny Tsai, | Title: Finally Discovering Boston | 7/8/2005 | See Source »

...culture was his appearance on Star Trek, in which he joined the crew members of the U.S.S. Enterprise in their war of good against evil. Today, a typical portrait is the wickedly brilliant cartoon Hard Drinkin' Lincoln, on the website icebox.com which makes the 16th President a cross between Homer Simpson and Kenny on South Park...

Author: /time Magazine | Title: The True Lincoln | 6/26/2005 | See Source »

Once into his 40s, Homer rarely went anywhere without rag paper, sable brushes and the little pans of color. He took his working vacations in places he knew would give him subjects--the New England coast, the Adirondacks, the tumultuous rivers of Quebec, the Florida Keys and the dark palmetto-fringed pools of Homosassa, the bays and whitewashed coral walls of the Bermudas...

Author: /time Magazine | Title: Art: Into Arcadia with Rod and Gun | 6/21/2005 | See Source »

...Though Homer exhibitions up to now have tended to treat his watercolors as ancillary to his oils, mere preparations, it is clear from this one that Homer did not think that way himself and that he did more than any other 19th century American artist to establish watercolor as an important medium in the U.S. In structure and intensity, his best watercolors yield nothing to his larger paintings. Homer had great powers of visual analysis; he could hardly look at a scene without breaking it down and resolving it as structure, and some of his paintings of the Adirondack woods...

Author: /time Magazine | Title: Art: Into Arcadia with Rod and Gun | 6/21/2005 | See Source »

...medium. It is the most light-filled of all ways of painting, but its luminosity depends on the white of the paper shining through thin washes of pigment. One has to work from light to dark, not (as with oils) from dark to light. It is hospitable to accident (Homer's seas, skies and Adirondack hills are full of chance blots and free mergings of color) but disaster-prone as well. One slip, and the veil of atmosphere turns into a mud puddle, a garish swamp. The stuff favors broad effects; nothing proclaims the amateur more clearly than niggling...

Author: /time Magazine | Title: Art: Into Arcadia with Rod and Gun | 6/21/2005 | See Source »

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