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...issues and adversaries were much different from today's, but the dispute was perhaps more rancorous. In the 1970s, the stucco box on Sunset Boulevard that housed the Comedy Store was a nightly practice field for up-and-coming comics who would troop onstage to hone their material, try out new jokes?and hope to get seen by the agents, managers and talent scouts who were regular clubgoers. The club's owner, Mitzi Shore?a pretty, petite brunet with a whiny, Roseanne-like voice who had inherited the Comedy Store in a divorce from comedian Sammy Shore?viewed the place...

Author: /time Magazine | Title: The First Comedy Strike | 1/31/2008 | See Source »

...stuck to her policy against paying the comedians who put customers in the seats. In this she was no different from her counterparts in New York, Budd Friedman and Rick Newman. They regarded their establishments not as ordinary nightclubs but as workshops, where comedians could try out new material, hone their acts, and be seen by people in the industry. The comics were getting as much out of the clubs as the clubs were getting out of them; besides, the owners claimed, paying all the acts - a dozen or more a night - would have been financially prohibitive. But for Mitzi...

Author: /time Magazine | Title: Comedy at the Edge Excerpt | 1/30/2008 | See Source »

Heading for Hollywood to hone his skills, he found himself filling the archetypal role of the understudy who becomes a star. The head makeup artist on the film My Geisha wasn't available and Uemura had to step in and do Shirley MacLaine's face for the movie, transforming her Caucasian features into those of a Japanese courtesan. He soon became a favorite makeup artist among Hollywood stars, including such male celebrities as Frank Sinatra and Edward G. Robinson...

Author: /time Magazine | Title: Shu Uemura, Makeup Pioneer, Dies | 1/8/2008 | See Source »

...born of movement. We are born of rhythm. We are born of the expression of time. And we use that, throughout life, to express emotion.”For d’Amboise, to become a dancer is to attain refined control of one’s movements, to hone one’s ability to express emotion. “Dancers begin to realize this. They train their bodies so wonderfully to be able to express emotions, to be able to use the movement in time and in a space to cause a reaction, to communicate...

Author: By Alison S. Cohn, CRIMSON STAFF WRITER | Title: Bringing Change Through Changement | 11/29/2007 | See Source »

...hopes to enroll in a graduate program in music technology at NYU and continue to hone his theoretical skills. He is currently looking for representation—a manager, an agent, anyone who can parlay his battling and hip-hop success into more live showcases...

Author: By Daniel J. Mandel, CRIMSON STAFF WRITER | Title: The All-Spin Zone | 11/14/2007 | See Source »

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