Word: honors
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Dates: during 1990-1999
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Gandhi himself never ruled out violence absolutely and unreservedly. He conceded the necessity of arms in certain situations. He said, "Where choice is set between cowardice and violence, I would advise violence... I prefer to use arms in defense of honor rather than remain the vile witness of dishonor...
...Anglican archbishop gave voice to the antiapartheid opposition while Mandela was in prison. "All violence is evil," he warned, "but a time may come when you have to decide between two evils--oppression or a violent overthrow of the oppressive regime." "When the honor of God is at stake," he said, "we will disobey iniquitous and unjust laws...
Other candidates for this honor soon abounded. Edison was working on a problem in telegraphy in 1877 when he noticed that a stylus drawn rapidly across the embossed symbols of the Morse code produced what he later described as "a light, musical, rhythmical sound, resembling human talk heard indistinctly." If it was possible, he reasoned, to "hear" dots and dashes, might not the human voice be reproduced in a similar manner? After much trial and error, Edison gathered a small group of witnesses and recited "Mary Had a Little Lamb" into a strange-looking contraption. The spectators were amazed...
...what extent do they depend on each other, when threats produce resolve, when terror engenders courage, when an ultimate challenge to principle has the effect of making principles stronger, forging them by fire? Thoughtful people who argue for Hitler as the Person of the Century do not want to honor him; they want to autopsy him, understand what made him strong and what finally killed him, and search, perhaps, for a vaccine for the virus that reappears still in ethnic enclaves, on websites, in the wilderness camps of skinhead anarchists and in the halls of Columbine High School, where...
Shakespeare has caught a few breaks at the movies lately. Romeo and Juliet and Richard III became vigorous films that did honor to both the Bard and the medium. Now Julie Taymor, the magician who on Broadway turned The Lion King menagerie into masked enchanters on stilts, takes Shakespeare's goriest play, Titus Andronicus, and makes it vivid, relevant and of elevating scariness...