Word: hooch
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...concern itself with deeper remarks about the world. “I’ve chosen,” O’Reilly says, “to move beyond the cerebral and look at the beautiful.” He cites as his artistic influences Vermeer, de Hooch, Clasez and Monet. And indeed, his photographs recall both the poignant and dignified simplicity of Flemish still lives and the French Impressionists’ emphasis on the qualitative and sensory experience of objects...
...little experience but lots of enthusiasm. Despite warnings of "considerable danger," toward 12 midnight on a moonless night, the men piled into a swift boat and headed for Thanh Phong. Darkness gave cover but heightened the confusion. As the men crept toward the village, they bumped into an outlying hooch they thought was a warning outpost. Kerrey says his men, wielding knives, told him they would "take care" of the people inside to prevent them from alerting the village. But Kerrey says he did not join in the killings or examine the victims...
...criminal violation of the laws of war. Yet one member of Kerrey's squad says that is what the SEALs did that night. Gerhard Klann, the veteran among Kerrey's green tyros, told the Times Magazine and 60 Minutes II that the five villagers knifed in the first hooch were, in fact, an old man, his wife, two young girls and a boy. He said Kerrey ordered the killing and personally helped him cut the old man's throat...
...work of both there is often a half-submerged meeting of the sacred and the profane. A beautiful and touching example is De Hooch's Mother and Child with Its Head in Her Lap, circa 1658-60. The little girl kneeling down in that shadowed interior might be engaged in prayer, but in fact she is submitting to one of the commonest hygienic rituals of 17th century childhood --her attentive mother picking through her hair for lice...
...pretext for looking at Vermeer and a few lesser artists who happened to be around in the same town at the same time. There was no distinctive Delft school. In the 17th century the place harbored only one artist whose talents approached Vermeer's--the slightly older Pieter de Hooch (1629-84), who was originally from Rotterdam but worked in Delft for about five years in the 1650s. Vermeer and De Hooch had several things in common, the main one being that nothing at all is known about the personality of either. They left no letters, kept no journals, inspired...