Word: hood
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...just striving toughs--and tyro directors--who have dreams. Producers can catch the fever too. Stephanie Allain was a Columbia Pictures executive in 1990 when she signed Singleton, then just 22, to make Boyz n the Hood, which established the urban drama as a viable genre. When Allain could find no studio to say yes to Brewer's script, she sold her house and invested in the project. Then she alerted Singleton. "He loved it," says Brewer, "He said, 'All you need is me to go into the room with you.'" Still no takers. So Singleton put his house...
...same way with Audiard's characters. It's probably safe to say that there has never been a hood who aspired to the concert stage. But the child of a roughneck father and an elegant mother who has lived an ambivalent, ultimately untriumphant life as a result is not unfamiliar. Out of a borrowed and preposterous premise, Audiard has fashioned a film that is more haunting--and more compellingly watchable--than it has any right...
...fears were exaggerated; the news-gathering process does not appear to have frozen up. Moreover, it can be reasonably argued that in order to prove the press has recklessly or knowingly published a false hood--the legal standard that public figures must meet to win a libel case--it is necessary to probe a journalist's thinking...
...inward-looking impulses: revenge and the desire to hide. The characters are conventional middle-class Britons. Their behavior, however, is high gothic. The ironic Loopy, for example, becomes increasingly credible as events move toward the horrific. A middle-aged man, cast as the wolf in a Red Riding Hood playlet, discovers that he likes to wear a furry skin and romp in predatory games. His mother, who displayed such sport to him during his childhood, indulgently calls this business "going all loopy." The narrative works simultaneously as a send-up of werewolf legends and as a disquieting portrait...
...prison." He has thought about getting a job, but the tattoos on his neck and face are an instant red flag to potential employers. "It's hard to change," he added. "Society pushes you back into the same pile of s___ you came out of. Back into the 'hood, drinking, kicking and selling drugs to a bunch of young kids, preparing them to take your place...