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...snoops take sharp pictures of Soviet spy satellites. Largely declassified in the 1980s, it's now being adapted for major telescopes everywhere. The idea is straightforward: stars and galaxies twinkle and shimmer because turbulent pockets of air act as weak, light-distorting lenses (heat rising from a car's hood or an asphalt parking lot causes a similar effect). With adaptive optics, though, a computer can measure the shimmer and cancel it out (see diagram...

Author: /time Magazine | Title: Beyond Hubble | 11/13/2000 | See Source »

...monthly meeting of the overseers on February 10, the list had eight candidates. In addition to Leder, Feldstein and Rudenstine, they were University of Chicago President Gerhard Casper, Houghton Professor of Chemistry Jeremy R. Knowles, Rotch Professor of Atmospheric Sciences Michael B. McElroy, Columbia University Professor of Psychology Donald Hood and Stephen G. Breyer, Chief Justice of the U.S. Court of Appeals, First Circuit...

Author: By Vasugi V. Ganeshananthan and Joshua E. Gewolb, CRIMSON STAFF WRITERSS | Title: Finding Rudy: Secrets of the Search | 10/31/2000 | See Source »

...requires a certain commitment of time and money, and it can also be pretty complex," says John Hood, a retired physics professor and member of the 200-strong First Weedwackers Aero Squadron in Lakeside, Calif. "The older guys have the time to pursue it really vigorously...

Author: /time Magazine | Title: Flights Of Fancy | 10/30/2000 | See Source »

...Fred Hood directed The Madness of George III with the intent of conveying an "aesthetic experience." The cast served this end with an amazing stage presence, recreating the idiosynchratic characters of a period piece, flavored with a few well-picked dramatic allusions. Prime Minister Pitt, for example, was molded on the republican ideal and carried the air of a sad and lonely Robespierre. Christopher Sahm's Prince of Wales and Adam Kline's Duke of York brought a tinge of Oscar Wilde to this Georgian stage. The three incompetent medical men who try to find the key to the king...

Author: By Irina Serbanescu, CONTRIBUTING WRITER | Title: 'George III': Mad to the Bone | 10/27/2000 | See Source »

...decked up in period costumes, the king is shown alternatively in a nightgown or a straightjacket, with hair awry. The image of the mad king is an obvious echo of King Lear; the analogy between the two scenarios being played up in this production. In dcor, effects and characterization, Hood manages to convey his vision of Bennett's play as a story as epic and dramatically versatile as King Lear, but twice...

Author: By Irina Serbanescu, CONTRIBUTING WRITER | Title: 'George III': Mad to the Bone | 10/27/2000 | See Source »

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