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Word: hoofers (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...became famous in the Folies Bergere. In his most recent Scandals, George White introduced the now virtually incessant Black Bottom. In Manhattan Mary, he supplies a prospective successor-the Five Step. Mr. White himself momentarily joins the cast to exhibit this gyration, recalling days when he was an humble hoofer** for his now greatest rival, Florenz Ziegfeld. This innovation is second only, in importance, to the appearance in the pit of Mr. Wynn leading the orchestra, in which process his back begins to itch-something that well trained conductors' backs never do. But Mr. Wynn's does...

Author: /time Magazine | Title: Theatre: New Plays In Manhattan: Oct. 10, 1927 | 10/10/1927 | See Source »

...notice her tall, auburn beauty), later a role in The Noose-now her name in white lights. Arthur Hopkins has cast her opposite Hal Skelly, as a slangy lady of the burlesque wheel, who is unfortunately in love with a no-account, shiftless husband (Hal Skelly), a "comic hoofer" without "a laugh above the hips," without timbre to respond to her affection...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Sep. 12, 1927 | 9/12/1927 | See Source »

Broadhurst, West 44th St.--Back stage at a night club, with bootleggers, butter-and-egg men, murders, detectives, lovers, etc. Lee Tracy as the self-made "hoofer" almost makes you believe there is such a person. Eloise Stream, in a minor part, convinces you of her reality. You can't help being conscious of the fact that Sylvia Field, playing opposite Tracy, is acting...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAYGOER | 1/26/1927 | See Source »

Proadhurst, W. 44th, Broadway-- A comedy of the back-stage life of the night club: Lee Tracy plays the part of the self-made "hoofer" who worships his maker. Eloise Stream, in one of the minor parts, gives an almost perfect performance...

Author: By T. M., | Title: CRIMSON PLAYGOER | 12/21/1926 | See Source »

...stage cabaret dancers, unlovely, bawling, quarreling; on-stage cabaret dancers, lovely, smiling, gracious. Into this perennially intriguing background, stalk gangsters, murder, revenge, police, nicely offset by racy comic relief and a love affair between the show- off "hoofer" and his dancing sweetheart. The cast knows the life it is portraying; the authors know the life they are staging. The result is a meticulously realistic production, faithful even unto the garrulous hoofer's discarding his trousers before an unperturbed sweetheart...

Author: /time Magazine | Title: Theatre: New Plays: Sep. 27, 1926 | 9/27/1926 | See Source »

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