Word: hoog
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Dates: during 1970-1979
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...after Braque and Picasso, he tended to be conventionally pigeonholed by art historians as one of their more gifted epigones. And yet, as one can plainly see from the 140-odd paintings, drawings, prints and reliefs that make up the exhilarating Delaunay retrospective organized by French Art Historian Michel Hoog at the Orangerie in Paris this summer, the man belonged to no movement. His rainbow-hued paintings shared very little with cubism. "But they're painting with cobwebs!" was his reaction to the sober, niggling brown-and-gray facets of the first cubist pictures he saw. The tenor...