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...make this masterpiece where there [were] just so many different sounds happening," Maida has observed. "A lot of it was over people's heads." Somewhat paradoxically, given its status as a concept-driven album, the mission behind Machines was to keep it simple, at least musically. OLP's signature hook-laden choruses are back, but this time their lyrics are a bit more mature and thoughtful. The album's 10 tracks showcase Maida's quest not only to reconcile man with machine, but also to attain some level of spiritual realization. Kurzweil himself appears on the album, reading excerpts from...

Author: By Stacy A. Porter, | Title: Fitter, Happier | 3/16/2001 | See Source »

...shows how this series is in a league above anything else on TV. On a network show - even in the heyday of "All in the Family" -Tony's wife would have to be a sympathetic counterbalance, the tolerant peacemaker. But Chase and Falco don't let Carm off the hook: She subtly betrays that she's not entirely comfortable with her daughter dating a black man either, nor is she comfortable saying how she does feel. She tells Tony not to "make things worse. Keep playing the race card and you'll drive her right into his arms." (Likewise, Noah...

Author: /time Magazine | Title: 'The Sopranos,' Round 3: Journey to the Center of Tony's Mind | 3/2/2001 | See Source »

...Charlie Rose" and even CNBC to talk about Slim Shady, a.k.a. Marshall Mathers. I'm still waiting for a call from the Food Network. My take on it basically boiled down to this: Eminem has some talent - all you have to do is listen to his smoothly rapped hook on "Forgot About Dre" to realize that. But, truth be told, his album isn't all that. Wyclef, OutKast, Dead Prez and even Dr.Dre made better, richer, edgier albums last year. And why are people giving Eminem credit for simply raising issues? If we gave awards to people simply for displaying...

Author: /time Magazine | Title: A Grammys Postmortem | 2/22/2001 | See Source »

...Pavement, which often defined itself by taking a couple of chords and finding the loopiest way possible to descend into chaos, Stephen Malkmus is instantly catchy, though still weird enough to satisfy the cult. The song Jo Jo's Jacket is a vague tribute to Yul Brynner, and The Hook may be the first indie-rock pirate chantey. That aside, Malkmus has grown as a songwriter. Jenny and the Ess-Dog is a churning rocker that chronicles a doomed hippie romance, while Church on White, written for his late friend, the novelist Robert Bingham, has Malkmus genuinely emoting...

Author: /time Magazine | Title: Music: New Ground | 2/19/2001 | See Source »

...There's a large problem, and to say there isn't is wrong," he says. "It lets colleges off the hook...

Author: By Sarah A. Dolgonos and Zachary R. Heineman, CRIMSON STAFF WRITERSS | Title: Defining the Debate | 2/6/2001 | See Source »

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